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To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire
16 references·5 citing·29 second hop
To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)To Witness Mimesis: The Politics, Ethics,…Australasian Drama Studies (2011)Australasian Drama StudiesGet Real: Documentary Theatre Past and Present (2009)Get Real: Documentary Theatre…Applied drama: the gift of theatre (2006)Applied drama: the gift of th…Applied Drama (2005)Applied DramaTraumatic Realism: The Demands of Holocaust Representation (2000)Traumatic Realism: The Demand…History and Memory after Auschwitz (1998)History and Memory after Ausc…Unmaking Mimesis: Essays on Feminism and Theatre (1997)Unmaking Mimesis: Essays on F…Cities of the Dead: Circum-Atlantic Performance. (1997)Cities of the Dead: Circum-At…The Return of the Real : The Avant-Garde at the End of the Century (1996)The Return of the Real : The …Cities of the dead: circum-Atlantic performance (1996)Cities of the dead: circum-At…The politics of performance: radical theatre as cultural intervention (1993)The politics of performance: …Critical Theory and Performance (1993)Critical Theory and Performan…‘Verbatim Theatre’: Oral History and Documentary Techniques (1987)‘Verbatim Theatre’: Oral Hist…The rustle of language (1986)The rustle of languageReinventing Anthropology (1974)Reinventing AnthropologyPrinceton Encyclopedia of Poetry and Poetics (1974)Princeton Encyclopedia of Poe…Mapping research on the social impact of the arts: what characterises the field? (2021)Mapping research on the socia…Thinking Intimate Geopolitics Creatively: Choreographing Spaces of Performance, Testimony, and Law (2019)Thinking Intimate Geopolitics…Envisioning asylum/engendering crisis: or, performance and forced migration 10 years on (2018)Envisioning asylum/engenderin…The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance (2017)The Drama Spiral: A Decision-…Repeating Repetition (2015)Repeating RepetitionTelevision: Technology and Cultural Form (1974)The Sublime Object of Ideology (1989)The Holocaust and the Postmodern (2004)Decolonizing Trauma Studies: A Response (2008)The Ethics of Storytelling (2017)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Empire and Memory (2005)The Abuses of Memory: Reflections on the Memory Boom in Anthropology (2005)Cultivating the art of safe space (2008)The Cambridge Introduction to Theatre Studies (2008)The politics of intention: looking for a theatre of little changes (2009)Narrate and Describe: The Problem of Ekphrasis (1991)The Social Construction of Intertextuality in Classroom Reading and Writing Lessons (1993)Print Is Flat, Code Is Deep: The Importance of Media-Specific Analysis (2004)Poststructural feminism in education: An overview (2000)Deleuzian Concepts for Education: The subject undone (2004)The English Professors of Brazil: On the Diasporic Roots of the Yorùbá Nation (1999)Dead Geographies—And How to Make Them Live (2000)Cultural geography: the busyness of being `more-than-representational' (2005)Personal narrative, performance, performativity: Two or three things I know for sure (1999)Cultural pragmatics: social performance between ritual and strategy (2006)“Tyra Banks Is Fat”: Reading (Post-)Racism and (Post-)Feminism in the New Millennium (2009)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)The Primacy of the Ethical: Propositions for a Militant Anthropology (1995)Critical Discourse Analysis (2015)Verbal irony: Pretense or echoic mention? (1984)Language, Ideology, and Political Economy (1989)meaning and feeling in the anthropology of emotions (1996)Afterwords (2000)
this work references cited by second hop

References

  • 1974Reinventing Anthropology2,120 cited
  • 1996Cities of the dead: circum-Atlantic performance1,762 cited
  • 1998History and Memory after Auschwitz986 cited
  • 1997Cities of the Dead: Circum-Atlantic Performance.958 cited
  • 1996The Return of the Real : The Avant-Garde at the End of the Century838 cited
  • 1986The rustle of language658 cited
  • 1993Critical Theory and Performance491 cited
  • 2000Traumatic Realism: The Demands of Holocaust Representation468 cited
  • 1974Princeton Encyclopedia of Poetry and Poetics345 cited
  • 2006Applied drama: the gift of theatre293 cited
  • 1997Unmaking Mimesis: Essays on Feminism and Theatre278 cited
  • 2005Applied Drama271 cited
  • 2011Australasian Drama Studies218 cited
  • 2009Get Real: Documentary Theatre Past and Present157 cited
  • 1993The politics of performance: radical theatre as cultural intervention157 cited
  • 1987‘Verbatim Theatre’: Oral History and Documentary Techniques133 cited

Cited by

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2018
Envisioning asylum/engendering crisis: or, performance and forced migration 10 years on
27 cited
  • 2017The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance23 cited
  • 2015Repeating Repetition8 cited
  • 2019Thinking Intimate Geopolitics Creatively: Choreographing Spaces of Performance, Testimony, and Law7 cited
  • 2021Mapping research on the social impact of the arts: what characterises the field?3 cited