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Introduction: What Now? Presenting Reenactment
12 references·1 citing·29 second hop
Introduction: What Now? Presenting Reenactment (2009)Introduction: What Now? Presenting Reenac…The Persistence of History (2014)The Persistence of HistoryDocumentary Reenactment and the Fantasmatic Subject (2008)Documentary Reenactment and t…Oxford English dictionary (2004)Oxford English dictionaryRites of Realism: Essays on Corporeal Cinema (2003)Rites of Realism: Essays on C…Introduction to documentary (2002)Introduction to documentaryJoris Ivens and the Documentary Context (1999)Joris Ivens and the Documenta…Shadows on the past: studies in the historical fiction film (1995)Shadows on the past: studies …Representing reality: issues and concepts in documentary (1992)Representing reality: issues …The Social documentary in Latin America (1991)The Social documentary in Lat…Ideology and the Image: Social Representation in the Cinema and Other Media (1983)Ideology and the Image: Socia…The Political Unconscious: Narrative as a Socially Symbolic Act (1982)The Political Unconscious: Na…Steps to an Ecology of Mind (1973)Steps to an Ecology of MindMaterializing Memory in Art and Popular Culture (2016)Materializing Memory in Art a…The Voice of Documentary (1983)Re-enacting the past: vivifying heritage ‘again’ (2014)BILDER EINER BESSEREN WELT Die Utopie im nichtfiktionalen Film (2019)A Dynamic Theory of Organizational Knowledge Creation (1994)Social Capital, Intellectual Capital, and the Organizational Advantage (1998)Learning by Expanding (2014)Moving Pictures (1999)Graphic-Narrative Play: Young Children's Authoring through Drawing and Telling (2007)Modes of interactivity: analysing the webdoc (2012)Exhibiting Cinema in Contemporary Art (2013)The Living Documentary: from representing reality to co-creating reality in digital interactive documentary (2013)Psychological and implied contracts in organizations (1989)Mindfulness: A Proposed Operational Definition (2004)A typology of reviews: an analysis of 14 review types and associated methodologies (2009)The Cambridge Introduction to Narrative (2008)Surface Reading: An Introduction (2009)Methodology of the Oppressed (2010)Docudramatizing history on TV (2007)History on television (2007)Trauma Theory: Contexts, Politics, Ethics (2007)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)New mediation and direct representation: reconceptualizing representation in the digital age (2005)The Internet and democratic citizenship: theory, practice and policy (2010)The Production of Outrage: The Iraq War and the Radical Documentary Tradition (2007)Wastrels of Time: Slow Cinema’s Laboring Body, the Political Spectator, and the Queer (2012)Soul of the Documentary: Framing, Expression, Ethics (2015)Decolonizing the Frame: Indigenous Video in the Andes (2003)Imperfect media : the poetics of indigenous media in Chile (2004)Militant Third World Film Distribution in the United States, 1970-1980 (2015)
this work references cited by second hop

References

  • 1973Steps to an Ecology of Mind7,226 cited
  • 2004Oxford English dictionary2,665 cited
  • 1982The Political Unconscious: Narrative as a Socially Symbolic Act2,446 cited
  • 1992Representing reality: issues and concepts in documentary1,609 cited
  • 2002Introduction to documentary1,606 cited
  • 1983Ideology and the Image: Social Representation in the Cinema and Other Media245 cited
  • 2008Documentary Reenactment and the Fantasmatic Subject146 cited
  • 1991The Social documentary in Latin America102 cited
  • 2003Rites of Realism: Essays on Corporeal Cinema85 cited
  • 2014The Persistence of History78 cited
  • 1995Shadows on the past: studies in the historical fiction film48 cited
  • 1999Joris Ivens and the Documentary Context34 cited

Cited by

  • 2016Materializing Memory in Art and Popular Culture59 cited

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