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P aradoxes of P itch S pace
16 references·14 citing·28 second hop
P aradoxes of P itch S pace (2008)P aradoxes of P itch S paceDifferent Bodies, Different Minds (2011)Different Bodies, Different M…A Cognitive Theory of Cultural Meaning (2006)A Cognitive Theory of Cultura…Metaphors We Live By (2003)Metaphors We Live ByConceptualizing music: cognitive structure, theory, and analysis (2003)Conceptualizing music: cognit…Toward a Cognitive Semantics (2000)Toward a Cognitive SemanticsA Cognitive Theory of Musical Meaning (2000)A Cognitive Theory of Musical…Philosophy in the flesh (1999)Philosophy in the fleshIntroduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Introduction to Neo-Riemannia…A Cognitive Theory of Cultural Meaning (1998)A Cognitive Theory of Cultura…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Foundations of Cognitive Grammar (1988)Foundations of Cognitive Gram…Women, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Th…The Body in the Mind (1987)The Body in the MindThe Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)The Group-Theoretic Descripti…The line of fifths and the co-evolution of tonal pitch-classes (2022)The line of fifths and the co…Generic Sequences and the Generic Tonnetz (2020)Generic Sequences and the Gen…Generic (Mod-7) Voice-Leading Spaces (2019)Generic (Mod-7) Voice-Leading…Harmonic Vectors and the Constraints of Tonality (2018)Harmonic Vectors and the Cons…Alfred Schnittke’s Triadic Practice (2017)Alfred Schnittke’s Triadic Pr…Reflections on (and in) Strunk's Tonnetz (2016)Reflections on (and in) Strun…SYMMETRY IN THE MUSIC OF JOHN ADAMS (2014)SYMMETRY IN THE MUSIC OF JOHN…In the Beginning of Penderecki'sParadise Lost (2013)In the Beginning of Pendereck…Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith (2012)Tonal Pairing and the Relativ…Introduction (2011)IntroductionExtraordinary Measures (2011)Extraordinary MeasuresCopland’s Fifths and Their Structural Role in the Sonata for Violin and Piano (2011)Copland’s Fifths and Their St…Contextual-Inversion Spaces (2011)Contextual-Inversion SpacesAnalyser l'harmonie – aux frontières de la tonalité (2011)Analyser l'harmonie – aux fro…ASPECTS OF THE THEORY OF SYNTAX (1964)Concepts and Conceptual Development: Ecological and Intellectual Factors in Categorization (1989)Constructivist perspectives on science and mathematics learning (1991)Concepts (1998)Conceptualizing Knowledge Creation: A Critique of Nonaka's Theory* (2006)With the Future Behind Them: Convergent Evidence From Aymara Language and Gesture in the Crosslinguistic Comparison of Spatial Construals of Time (2006)Language as shaped by the brain (2008)The neural theory of metaphor (2008)How to do Linguistics with R (2015)Aspects of Well-Formed Scales (1989)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)Stories of Experience and Narrative Inquiry (1990)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)Empathy: Its ultimate and proximate bases (2002)Techniques to Identify Themes (2003)On the nature and importance of cultural tightness-looseness. (2006)Motivation and Justification: A Dual‐Process Model of Culture in Action (2009)Qualitative Analysis for Social Scientists (1987)The contemporary theory of metaphor (1993)A Dynamic Theory of Organizational Knowledge Creation (1994)Foundations of Language (2002)Metaphor: A Practical Introduction (2002)From usage to grammar: The mind's response to repetition (2006)Representativeness Revisited: Attribute Substitution in Intuitive Judgment (2002)Core affect and the psychological construction of emotion. (2003)Listening to Action-related Sentences Activates Fronto-parietal Motor Circuits (2005)The Career of Metaphor. (2005)
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  • 2003Metaphors We Live By25,220 cited
  • 1987Women, Fire, and Dangerous Things12,688 cited
  • 1987The Body in the Mind6,478 cited
  • 1988Foundations of Cognitive Grammar5,665 cited
  • 2000Toward a Cognitive Semantics2,113 cited
  • 1999Philosophy in the flesh1,982 cited
  • 1998A Cognitive Theory of Cultural Meaning1,276 cited
  • 2011Different Bodies, Different Minds1,178 cited
  • 2006A Cognitive Theory of Cultural Meaning786 cited
  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 2003Conceptualizing music: cognitive structure, theory, and analysis304 cited
  • 2000A Cognitive Theory of Musical Meaning254 cited
  • 1980The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems195 cited

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Cited by

  • 2011Extraordinary Measures108 cited
  • 2011Contextual-Inversion Spaces25 cited
  • 2018Harmonic Vectors and the Constraints of Tonality24 cited
  • 2020Generic Sequences and the Generic Tonnetz22 cited
  • 2011Introduction21 cited
  • 2022The line of fifths and the co-evolution of tonal pitch-classes9 cited
  • 2019Generic (Mod-7) Voice-Leading Spaces6 cited
  • 2012Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith6 cited
  • 2017Alfred Schnittke’s Triadic Practice6 cited
  • 2011Analyser l'harmonie – aux frontières de la tonalité5 cited
  • 2014SYMMETRY IN THE MUSIC OF JOHN ADAMS5 cited
  • 2016Reflections on (and in) Strunk's Tonnetz3 cited
  • 2011Copland’s Fifths and Their Structural Role in the Sonata for Violin and Piano3 cited
  • 2013In the Beginning of Penderecki'sParadise Lost3 cited