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From polyglottism to branding
16 references·7 citing·25 second hop
From polyglottism to branding (2001)From polyglottism to brandingDistinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…The field of Cultural Production (2002)The field of Cultural Product…In Praise of Bureaucracy (2001)In Praise of BureaucracyNewszak and News Media (1997)Newszak and News MediaThe Field of Cultural Production (1994)The Field of Cultural Product…Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…Mass Media and Society (1992)Mass Media and SocietyCulture, Inc.: the corporate takeover of public expression (1990)Culture, Inc.: the corporate …CULTURE, Inc.: The Corporate Takeover of Public Expression (1990)CULTURE, Inc.: The Corporate …Distinction. A Social Critique of the Judgement of Taste (1985)Distinction. A Social Critiqu…Sound Effects: Youth, Leisure and the Politics of Rock 'n' Roll (1983)Sound Effects: Youth, Leisure…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…Handbook of Communication (1974)Handbook of CommunicationThe New Journalism (1973)The New JournalismThe sociology of mass communications (1970)The sociology of mass communi…Social Control in the Newsroom: A Functional Analysis (1955)Social Control in the Newsroo…Screaming, Crying, Writing Up: Literary Music Journalism Books as a Legitimization of Contemporary Fangirl Practices (2024)Screaming, Crying, Writing Up…The converged promoter, the calculating professional, and the autonomous critic – the presentation of musical authority on social media (2021)The converged promoter, the c…Social Media & Celebrity Journalists’ Audience Outreach in the MENA Region (2020)Social Media & Celebrity Jour…“Nobody Likes Rock and Roll but the Public”:Down Beat, Genre Boundaries and the Dismissal of Rock and Roll by Jazz Critics (2013)“Nobody Likes Rock and Roll b…Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not (2012)Suicide solutions? Or, how th…Student music (2011)Student musicPopular music and the public sphere: the case of Portuguese music journalism (2004)Popular music and the public …Theory and Method of Social Representations (1999)Cultural Circuits of Climate Change in U.K. Broadsheet Newspapers, 1985–2003 (2005)Citizen Involvement Efforts and Bureaucratic Responsiveness: Participatory Values, Stakeholder Pressures, and Administrative Practicality (2007)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Making News by Doing Work: Routinizing the Unexpected (1973)News as Purposive Behavior: On the Strategic Use of Routine Events, Accidents, and Scandals (1974)The Politics of Crisis Management (2005)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)The Moral Significance of Class (2005)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)The Mythology About Globalization (1992)Discourse analysis as a research method in library and information science (1994)Media’s social construction of environmental issues: focus on global warming – a comparative study (2003)Creative Cities, Creative Spaces and Urban Policy (2009)T HE M EDIA AND D EMOCRACY : Beyond Myths and Stereotypes (2003)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1985Distinction. A Social Critique of the Judgement of Taste4,442 cited
  • 1994The Field of Cultural Production3,293 cited
  • 2002The field of Cultural Production2,461 cited
  • 1955Social Control in the Newsroom: A Functional Analysis953 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 1992Mass Media and Society467 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 1990CULTURE, Inc.: The Corporate Takeover of Public Expression351 cited
  • 1990Culture, Inc.: the corporate takeover of public expression304 cited
  • 1974Handbook of Communication297 cited
  • 1970The sociology of mass communications230 cited
  • 2001In Praise of Bureaucracy223 cited
  • 1973The New Journalism207 cited
  • 1997Newszak and News Media189 cited
  • 1983Sound Effects: Youth, Leisure and the Politics of Rock 'n' Roll167 cited

Cited by

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  • 2020Social Media & Celebrity Journalists’ Audience Outreach in the MENA Region8 cited
  • 2011Student music7 cited
  • 2012Suicide solutions? Or, how the emo class of 2008 were able to contest their media demonization, whereas the headbangers, burnouts or ‘children of ZoSo’ generation were not5 cited
  • 2004Popular music and the public sphere: the case of Portuguese music journalism4 cited
  • 2013“Nobody Likes Rock and Roll but the Public”:Down Beat, Genre Boundaries and the Dismissal of Rock and Roll by Jazz Critics3 cited
  • 2024Screaming, Crying, Writing Up: Literary Music Journalism Books as a Legitimization of Contemporary Fangirl Practices3 cited
  • 2021The converged promoter, the calculating professional, and the autonomous critic – the presentation of musical authority on social media2 cited