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From Feminine Masquerade to Flâneuse: Agnès Varda's Cléo in the City
16 references·5 citing·31 second hop
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this work references cited by second hop

References

  • 1973The Country and the City2,687 cited
  • 1980Reflections: Essays, Aphorisms, Autobiographical Writings1,584 cited
  • 1973Charles Baudelaire: A Lyric Poet in the Era of High Capitalism1,514 cited
  • 1961The City in History: Its Origins, Its Transformations, and Its Prospects1,007 cited
  • 1982Film and the Masquerade: Theorising the Female Spectator643 cited
  • 1993Window shopping: cinema and the postmodern607 cited
  • 1943The Death of the Moth, and other Essays467 cited
  • 1985The Invisible Flâneuse. Women and the Literature of Modernity425 cited
  • 1986The Flaneur, the Sandwichman and the Whore: The Politics of Loitering345 cited
  • 1988Vision and visuality311 cited
  • 1986Re-Vision: Essays in Feminist Film Criticism310 cited
  • 2018Womanliness as a Masquerade301 cited
  • 1986The essays of Virginia Woolf198 cited
  • 1990Female Perversions: The Temptations of Emma Bovary113 cited
  • 1997To desire differently: feminism and the French cinema101 cited
  • 1976Story of My Life85 cited

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Cited by

  • 2020Una profesora 'flâneuse' en París. Cartografías en la formación inicial de docentes23 cited
  • 2011State business: gender, sex and marriage in Tajikistan21 cited
  • 2022La deriva paralela como método en la investigación basada en las artes10 cited
  • 2012Women on the Move: The Politics of Walking in Agnès Varda8 cited
  • 2015Olivetti and the Missing Third: Fashion, Working Women and Images of the Mechanical-flâneusein the 1920s and 1930s2 cited