SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Border Crossings: A Commentary on Henkjan Honing's "On the Growing Role of Observation, Formalization and Experimental Method in Musicology"
8 references·0 citing·24 second hop
Border Crossings: A Commentary on Henkjan Honing's "On the Growing Role of Observation, Formalization and Experimental Method in Musicology" (2006)Border Crossings: A Commentary on Henkjan…Past and Present Concepts of the Nature and Limits of Music 1961 (2011)Past and Present Concepts of …On the Growing Role of Observation, Formalization and Experimental Method in Musicology (2006)On the Growing Role of Observ…Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project (2004)Using Complex Set Theory for …The collected essays of Milton Babbitt (2004)The collected essays of Milto…Epistemologies of music theory (2002)Epistemologies of music theoryMusical Form and Transformation: 4 Analytic Essays (1995)Musical Form and Transformati…Musical Form and Transformation: Four Analytic Essays (1994)Musical Form and Transformati…Musical form and Transformation: Four Analytic Essays (1993)Musical form and Transformati…The Logic of Scientific Discovery. (1959)The New Grove dictionary of music and musicians (2001)Crossing Boundaries: An Introductory Essay (2009)Composing Claims on Musical Instrument Development: A Science and Technology Studies' Contribution (2010)Sonorystyka w twórczości kompozytorów polskich XX wieku (2010)The Logic of Scientific Discovery (2013)The Great Chain of Being. A Study of the History of an Idea. (1936)The Order of Things: An Archaeology of the Human Sciences. (1971)The body emblazoned: dissection and the human body in Renaissance culture (1996)Hugo Riemann and the birth of modern musical thought (2004)Musical representations, subjects, and objects: the construction of musical thought in Zarlino, Descartes, Rameau, and Weber (2005)The Oxford Handbook of Neo-Riemannian Music Theories (2011)From a Categorical Point of View: K-Nets as Limit Denotators (2006)A Transformational Space for Elliott Carter’s Recent Complement-Union Music (2009)Music Theory’s Therapeutic Imperative and the Tyranny of the Normal (2021)B ird's‐ E ye V iews of the M usical S urface : M ethods for S ystematic P itch ‐C lass S et A nalysis (2007)Pitch Organisation in S criabin's T enth S onata (2015)Reconsidering Klumpenhouwer Networks (2007)Contextual-Inversion Spaces (2011)Music as a (Science as a) Liberal Art at Princeton (2010)Music, Encounter, Togetherness (2024)Mathematics and the Twelve-Tone System: Past, Present, and Future (2009)Sonata-Formal Functions and Transformational Processes in the First Movement of Rochberg’s String Quartet No. 6 (2009)The Problem of Completeness in Milton Babbitt’s Music and Thought (2016)
this work references cited by second hop

References

  • 2002Epistemologies of music theory90 cited
  • 1993Musical form and Transformation: Four Analytic Essays54 cited
  • 2006On the Growing Role of Observation, Formalization and Experimental Method in Musicology37 cited
  • 1994Musical Form and Transformation: Four Analytic Essays34 cited
  • 2004The collected essays of Milton Babbitt21 cited
  • 2011Past and Present Concepts of the Nature and Limits of Music 196120 cited
  • 1995Musical Form and Transformation: 4 Analytic Essays12 cited
  • 2004Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project11 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work