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This article traces the introduction and development of the cinema in Latin America, exploring the complex global interactions and transformational experiments that marked the diffusion of the medium in the context of international trends as well as in relationship to the continent's incipient modernity. The essay's comparative framework points to new patterns and observations that exceed the boundaries of discrete national histories.
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Stored only when both papers are in the corpus — 134 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.