SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Early Cinema and Modernity in Latin America
10 references·8 citing·32 second hop
Early Cinema and Modernity in Latin America (2000)Early Cinema and Modernity in Latin Ameri…Cinema and the Invention of Modern Life (1998)Cinema and the Invention of M…Parallel tracks: the railroad and silent cinema (1997)Parallel tracks: the railroad…Unthinking Eurocentrism: Multiculturalism and the Media (1996)Unthinking Eurocentrism: Mult…Viewing positions: ways of seeing film (1995)Viewing positions: ways of se…Consuming Modernity: Public Culture in a South Asian World (1995)Consuming Modernity: Public C…Modernity, Identity, and Utopia in Latin America (1993)Modernity, Identity, and Utop…Misplaced Ideas: Essays on Brazilian Culture (1993)Misplaced Ideas: Essays on Br…Early Cinema: Space-Frame-Narrative (1992)Early Cinema: Space-Frame-Nar…The emergence of cinema : the American screen to 1907 (1990)The emergence of cinema : the…The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde (1990)The Cinema of Attractions Ear…The coloniality of infrastructure: Engineering, landscape and modernity in Recife (2021)The coloniality of infrastruc…El arte de “instruir deleitando”. Discursos positivistas y nacionalistas en el cine argentino del primer Centenario (2014)El arte de “instruir deleitan…Exhibición y programación cinematográfica en Monterrey, México de 1922 a 1962: un estudio de caso desde la perspectiva de la “nueva historia del cine" (2012)Exhibición y programación cin…Waking the Gods: Archaeology and State Power in Porfirian Mexico (2011)Waking the Gods: Archaeology …Latin American Silent Cinema: Triangulation and the Politics of Criollo Aesthetics (2008)Latin American Silent Cinema:…Embodied Matters:Bolivian Fantasyand Indigenismo (2006)Embodied Matters:Bolivian Fan…Beneficent Cinema: State Formation, Elite Reproduction, and Silent Film in Uruguay, 1910s–1920s (2006)Beneficent Cinema: State Form…“UN DINAMISMO ABRASADOR”: LA VELOCIDAD DEL CINE MUDO EN LA LITERATURA IBEROAMERICANA DE LOS AÑOS VEINTE Y TREINTA (2002)“UN DINAMISMO ABRASADOR”: LA …Outline of a Theory of Practice. (1980)Women, Fire, and Dangerous Things (1987)Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)Metaphors We Live By (2003)Culture, Globalization, Mediation (2004)Local consumption cultures in a globalizing world (2004)Resource Partitioning, the Founding of Specialist Firms, and Innovation: The American Feature Film Industry, 1912–1929 (2000)Uniform prices for differentiated goods: The case of the movie-theater industry (2007)Translation goes to the Movies (2008)Mundane mobilities, banal travels (2007)What's the Point of an Index? or, Faking Photographs (2008)Exhibiting Cinema in Contemporary Art (2013)Rethinking diversity: Hybridity and hybrid language practices in the third space (1999)Rethinking Critical Theory and Qualitative Research (2011)Critical Discourse Analysis (2015)Alternative Shakespeares (1987)A Feminist Reader in Early Cinema (2002)Film Festivals : From European Geopolitics to Global Cinephilia (2007)Spectacular Realities: Early Mass Culture in Fin-de-Siècle Paris (1998)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Modernism, Daily Time and Everyday Life (2007)Theory and Method of Social Representations (1999)Beyond the Third World: imperial globality, global coloniality and anti-globalisation social movements (2004)WORLDS AND KNOWLEDGES OTHERWISE (2007)Allegories Of Underdevelopment: Aesthetics and Politics in Modern Brazilian Cinema (1997)Enabling Fictions and Novel Subjects: TheBildungsromanand International Human Rights Law (2006)The Scale of World Literature (2008)The New Film History as Media Archaeology (2005)The Cinema of Attractions Reloaded (2006)Aesthetics as Philosophy of Perception (2016)In Your Face: Physiognomy, Photography, and the Gnostic Mission of Early Film (1997)Rethinking Research Ethics, Power, and the Risk of Visibility in the Era of the “Alt-Right” Gaze (2018)
this work references cited by second hop

References

  • 1990The Cinema of Attractions Early Film, Its Spectator and the Avant-Garde1,285 cited
  • 1996Unthinking Eurocentrism: Multiculturalism and the Media1,013 cited
  • 1995Consuming Modernity: Public Culture in a South Asian World653 cited
  • 1995Viewing positions: ways of seeing film438 cited
  • 1993Misplaced Ideas: Essays on Brazilian Culture376 cited
  • 1997Parallel tracks: the railroad and silent cinema336 cited
  • 1992Early Cinema: Space-Frame-Narrative214 cited
  • 1998Cinema and the Invention of Modern Life179 cited
  • 1990The emergence of cinema : the American screen to 1907174 cited
  • 1993Modernity, Identity, and Utopia in Latin America165 cited

Cited by

  • 2021The coloniality of infrastructure: Engineering, landscape and modernity in Recife57 cited
  • 2006Embodied Matters:Bolivian Fantasyand Indigenismo50 cited
  • 2002“UN DINAMISMO ABRASADOR”: LA VELOCIDAD DEL CINE MUDO EN LA LITERATURA IBEROAMERICANA DE LOS AÑOS VEINTE Y TREINTA15 cited
  • 2008Latin American Silent Cinema: Triangulation and the Politics of Criollo Aesthetics15 cited
  • 2006Beneficent Cinema: State Formation, Elite Reproduction, and Silent Film in Uruguay, 1910s–1920s

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

12 cited
  • 2011Waking the Gods: Archaeology and State Power in Porfirian Mexico9 cited
  • 2012Exhibición y programación cinematográfica en Monterrey, México de 1922 a 1962: un estudio de caso desde la perspectiva de la “nueva historia del cine"8 cited
  • 2014El arte de “instruir deleitando”. Discursos positivistas y nacionalistas en el cine argentino del primer Centenario7 cited