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Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence
13 references·5 citing·16 second hop
Closure in Classical Themes: The Role of Melody and Texture in Cadences, Closural Function, and the Separated Cadence (2012)Closure in Classical Themes: The Role of …Elements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…The Classical Cadence: Conceptions and Misconceptions (2004)The Classical Cadence: Concep…Classical Form (1998)Classical FormClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Beethoven Hero (1995)Beethoven HeroCadential processes: The evaded cadence and the “one more time” technique (1992)Cadential processes: The evad…Phrase Rhythm in Tonal Music (1991)Phrase Rhythm in Tonal MusicHaydn's 'Farewell' Symphony and the Idea of Classical Style (1991)Haydn's 'Farewell' Symphony a…The “expanded cadential progression”: A category for the analysis of classical form† (1987)The “expanded cadential progr…Classic Music: Expression, Form, and Style (1983)Classic Music: Expression, Fo…Classic Music: Expression, Form, and Style (1981)Classic Music: Expression, Fo…Form in Tonal Music: An Introduction to Analysis (1979)Form in Tonal Music: An Intro…Cadence (2024)CadenceTonality (2023)TonalityMerging the Sonata and the Concerto: The Role of Virtuosic Passages in Determining Formal Closure in High-Classical Sonata Expositions (2022)Merging the Sonata and the Co…Film Music Themes (2016)Film Music ThemesSonata Form and the Problem of Second‐Theme Beginnings (2013)Sonata Form and the Problem o…Fundamentals of Musical Composition (1968)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Music as Discourse (2008)Harmony in Haydn and Mozart (2012)Counterpoint in Rock Music: Unpacking the “Melodic-Harmonic Divorce” (2015)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)Extraordinary Measures (2011)Theorizing Musical Meaning (2001)German Philosophy 1760–1860 (2002)After Adorno (2003)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)Hugo Riemann and the Birth of Modern Musical Thought (2003)Towards a generative syntax of tonal harmony (2011)
this work references cited by second hop

References

  • 1981Classic Music: Expression, Form, and Style724 cited
  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form529 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 1995Beethoven Hero402 cited
  • 2004The Classical Cadence: Conceptions and Misconceptions299 cited
  • 1991Haydn's 'Farewell' Symphony and the Idea of Classical Style238 cited
  • 1992Cadential processes: The evaded cadence and the “one more time” technique174 cited
  • 1983Classic Music: Expression, Form, and Style117 cited
  • 1979Form in Tonal Music: An Introduction to Analysis103 cited
  • 1987The “expanded cadential progression”: A category for the analysis of classical form†75 cited

Cited by

  • 2013Sonata Form and the Problem of Second‐Theme Beginnings38 cited
  • 2023Tonality35 cited
  • 2016Film Music Themes

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31 cited
  • 2024Cadence21 cited
  • 2022Merging the Sonata and the Concerto: The Role of Virtuosic Passages in Determining Formal Closure in High-Classical Sonata Expositions14 cited