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(Re)considering the Role of Breath in Training Actors' Voices: Insights from Dahnjeon Breathing and the Phenomena of Breath
16 references·2 citing·31 second hop
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this work references cited by second hop

References

  • 1976The Ritual Process: Structure and Anti-Structure6,725 cited
  • 1990The absent body1,323 cited
  • 2005For more than one voice: toward a philosophy of vocal expression350 cited
  • 1997The Intercultural performance reader305 cited
  • 1990By Means of Performance295 cited
  • 1992Theatre at the Crossroads of Culture221 cited
  • 1952The Origins of European Thought About the Body, the Mind, the Soul, the World, Time and Fate.192 cited
  • 2002Toward a Topography of Cross-Cultural Theatre Praxis163 cited
  • 2008Psychophysical Acting: An Intercultural Approach after Stanislavski153 cited
  • 1998When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art105 cited
  • 1991Interculturalism and performance80 cited
  • 1973Voice and the Actor79 cited
  • 1992The Dramatic Touch of Difference: Theatre, Own and Foreign61 cited
  • 1994Self as Body in Asian Theory and Practice. Edited by Thomas P. Kasulis, Roger T. Ames, and Wimal Dissanayake. Albany: State University of New York Press, 1993. xxii, 383 pp.55 cited
  • 1999From Mimesis To Interculturalism: Readings of Theatrical Theory Before and After 'Modernism'38 cited

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  • 2013The Invisible Actor32 cited
  • Cited by

    • 2016The role of ‘presence’ in training actors’ voices17 cited
    • 2016Training a performer’s voices5 cited