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Faithful or Foolish: The Emergence of the “Ironic Cover Album” and Rock Culture
8 references·6 citing·31 second hop
Faithful or Foolish: The Emergence of the “Ironic Cover Album” and Rock Culture (2003)Faithful or Foolish: The Emergence of the…The Compass of Irony (2021)The Compass of IronyThe Culture of the Copy (1999)The Culture of the CopyLipstick traces: a secret history of the twentieth century (1990)Lipstick traces: a secret his…Contingency, Irony, Solidarity. (1990)Contingency, Irony, Solidarit…Contingency, Irony, and Solidarity (1989)Contingency, Irony, and Solid…Art into Pop (1987)Art into PopAllegories of Reading (1980)Allegories of ReadingThe story of rock (1969)The story of rockRock This Way (2023)Rock This WayDie Coverversion als Wiederholung und Differenz. Gedächtnissoziologische Anmerkungen mit Rücksicht auf das Nachahmungskonzept bei Gabriel Tarde (2020)Die Coverversion als Wiederho…Heino, Rammstein and the double-ironic melancholia of Germanness (2018)Heino, Rammstein and the doub…Yesterday Once More: Tracking (un)Popular Music in Contemporary Myanmar (2016)Yesterday Once More: Tracking…Burmese Super Trouper: How Burmese Poets and Musicians Turn Global Popular Music intoCopy Thachin (2013)Burmese Super Trouper: How Bu…Taken to the Extreme: Heavy Metal Cover Songs – The Impact of Genre (2006)Taken to the Extreme: Heavy M…Mimesis and alterity: a particular history of the senses (1993)Dialectic of enlightenment : philosophical fragments (2002)Distinction: A Social Critique of the Judgement of Taste* (2018)Reclaiming policy in the Myanmar popular music industry (2020)Differenz und Wiederholung (1992)Rhythm and Noise: An Aesthetics of Rock (1996)Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Artists, Aestheticisation and the Field of Gentrification (2003)Music—Drastic or Gnostic? (2004)How to be sarcastic: The echoic reminder theory of verbal irony. (1989)Why not say it directly? The social functions of irony (1995)The educated mind : how cognitive tools shape our understanding (1997)Record Roulette: What Makes It Spin? (1975)Rock! It's Still Rhythm and Blues (1985)Creativity and cultural production (2000)Perspectives on Consumer Culture (1990)“Heritage rock”: Rock music, representation and heritage discourse (2009)Looking for work in creative industries policy (2009)Postmodernism and the Social Sciences (1992)Radical Worlds: The Anthropology of Incommensurability and Inconceivability (2001)The Autonomy of Morality (2008)Reflexivity in Organization and Management Theory: A Study of the Production of the Research `Subject' (2001)Saving Bulgaria's Jews: an analysis of social identity and the mobilisation of social solidarity (2006)Constructing mystery: Empirical matters in theory development (2007)Can genetics help us rethink communication? Public communication of science as a ‘double helix’ (2004)Assessing Quality in Cultural Goods: The Hedonic Value of Originality in Rembrandt's Prints (2006)The Rhetoric of Intertextuality (2009)ORGANIZATIONAL CHANGE AND DEVELOPMENT (1999)Toward a Theory of Social Practices (2002)Political conservatism as motivated social cognition. (2003)
this work references cited by second hop

References

  • 1989Contingency, Irony, and Solidarity6,866 cited
  • 1990Lipstick traces: a secret history of the twentieth century591 cited
  • 1980Allegories of Reading384 cited
  • 1990Contingency, Irony, Solidarity.260 cited
  • 2021The Compass of Irony228 cited
  • 1987Art into Pop164 cited
  • 1999The Culture of the Copy48 cited
  • 1969The story of rock44 cited

Cited by

  • 2016Yesterday Once More: Tracking (un)Popular Music in Contemporary Myanmar11 cited
  • 2020Die Coverversion als Wiederholung und Differenz. Gedächtnissoziologische Anmerkungen mit Rücksicht auf das Nachahmungskonzept bei Gabriel Tarde7 cited
  • 2018Heino, Rammstein and the double-ironic melancholia of Germanness5 cited
  • 2006Taken to the Extreme: Heavy Metal Cover Songs – The Impact of Genre4 cited
  • 2013Burmese Super Trouper: How Burmese Poets and Musicians Turn Global Popular Music intoCopy Thachin3 cited
  • 2023Rock This Way2 cited

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