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Good Samaritans and oblivious cheerleaders: ideologies of Portuguese music journalists towards Portuguese music
16 references·6 citing·29 second hop
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this work references cited by second hop

References

  • 1994The Field of Cultural Production3,293 cited
  • 2015Introduction to Qualitative Research Methods3,074 cited
  • 2002The field of Cultural Production2,461 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1996Performing Rites1,123 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 2003Understanding Popular Music309 cited
  • 1992England's dreaming : Sex Pistols and punk rock286 cited
  • 1994Producing Artistic Value: The Case of Rock Music281 cited
  • 1997The Global Jukebox: The International Music Industry245 cited
  • 1985Urban Rhythms213 cited
  • 1977Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry207 cited
  • 1987Urban Rhythms: Pop Music and Popular Culture.121 cited
  • 2005Rock Criticism from the Beginning: Amusers, Bruisers, and Cool-Headed Cruisers111 cited
  • 2005Dancing About Architecture: Popular Music Criticism and the Negotiation of Authority91 cited

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Cited by

  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2017‘Sing as you talk’: Politics, popular music and rock criticism in Spain (1975–1986)5 cited
  • 2014Diversity and Synergy in the Recording Industry in Portugal, 1988-20084 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited