Without One Ritual Note: Folklore Performance and the Haitian State,1935–1946Unknown author2002-10-01articleRadical History Review25 citationsclosedNo readable copy stored yet — this record is metadata only.Caribbean history, culture, and politicsArts and Performance StudiesCaribbean and African Literature and CultureAbstractRadical History Review - 2002, Issue 84Citations in this libraryStored only when both papers are in the corpus — 25 citations exist upstream.References1997Cities of the Dead: Circum-Atlantic Performance.1961The Myth of the Negro Past1999Defacement: Public Secrecy and the Labor of the Negative2000In the Place of Origins: Modernity and Its Mediums in Northern Thailand1980From Dessalines to Duvalier: Race, Colour and National Independence in Haiti1999The Other America: Caribbean Literature in a New World Context1973Religious Cults of the Caribbean: Trinidad, Jamaica, and Haiti2009Ainsi parla l'oncleCited by2010Rhythms of the Afro-Atlantic World2004"Rebirth of a Nation": Hurston in Haiti2008Ballad Hunting in the Black Republic: Alan Lomax in Haiti, 1936-372009Serving the Spirit of the Dance: A Study of Jean-Léon Destiné, Lina Mathon Blanchet, and Haitian Folkloric Traditions2019The Footsteps of Nieves Fresneda: Cuban Folkloric Dance and Cultural Policy, 1959–19792005Prohibition, persecution, performance