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Cited by

• 2017The absent first gathering of the Chantilly manuscript46 cited
• 2014“In the Church and in the Chapel”28 cited
• 2001The great composer23 cited
• 2015Humanism and music in Italy22 cited
• 2011FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST18 cited
• 2010Musical References in Brucioli’s Dialogi and Their Classical and Medieval Antecedents17 cited
• 1995Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay's Missa Ave regina celorum16 cited
• 2000Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music11 cited
• 2011A FEAST OF THE ARTS: JOANNA OF CASTILE IN BRUSSELS, 149610 cited
• 1998Modal discourse and fourteenth-century French song: A ‘medieval’ perspective recovered?7 cited
• 1994Dunstable, Bedyngham and O rosa bella6 cited
• 1996Toward a Desegregated Music Historiography5 cited
• 2010Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music3 cited
• 2015The L’homme armé tradition – and the limits of musical borrowing2 cited