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Introduction
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Introduction (2003)IntroductionEmpire (2009)EmpireAnalysing Musical Multimedia (1998)Analysing Musical MultimediaPerforming Rites (1996)Performing RitesPost‐Fordism (1994)Post‐FordismSystems of articulation, logics of change: Communities and scenes in popular music (1991)Systems of articulation, logi…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…Scale and Scope (1990)Scale and ScopeObjectivity, Relativism, and Truth (1990)Objectivity, Relativism, and …Music, Mood, and Marketing (1990)Music, Mood, and MarketingHighbrow/Lowbrow (1988)Highbrow/LowbrowEthnicity and the Post-Modern Arts of Memory (1986)Ethnicity and the Post-Modern…After the Great Divide (1986)After the Great DivideThe Postmodern Condition: A Report on Knowledge (1984)The Postmodern Condition: A R…Using Background Music to Affect the Behavior of Supermarket Shoppers (1982)Using Background Music to Aff…Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America (1982)Cultural entrepreneurship in …Reification and Utopia in Mass Culture (1979)Reification and Utopia in Mas…Belief, Attitude, Intention and Behavior: An Introduction to Theory and Research (1975)Mood States and Consumer Behavior: A Critical Review (1985)The Influence of Background Music on the Behavior of Restaurant Patrons (1986)Improving the Store Environment: Do Olfactory Cues Affect Evaluations and Behaviors? (1996)Territoriality and beyond: problematizing modernity in international relations (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Toward a Theory of Gender (2013)Club cultures: music, media and subcultural capital (1996)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Subcultures, Scenes or Tribes? None of the Above (2005)Narrative configuration in qualitative analysis (1995)The teacher's soul and the terrors of performativity (2003)Autoethnography: An Overview (2010)Postmodern Education: Politics, Culture, and Social Criticism (1991)Knowledge in a Social World (1999)Past Postmodernism? Reflections and Tentative Directions (1999)Why do firms differ, and how does it matter? (1991)The Incumbent's Curse? Incumbency, Size, and Radical Product Innovation (2000)Markets as Politics: A Political‐Cultural Approach to Market Institutions (2002)Great Powers and Outlaw States (2004)Special Section: Transnational Public Sphere: Transnationalizing the Public Sphere (2007)Hierarchies in World Politics (2016)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)Brand Community (2001)On Organizational Becoming: Rethinking Organizational Change (2002)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Legitimacy as a Social Process (2006)
this work references cited by second hop

References

  • 1984The Postmodern Condition: A Report on Knowledge15,070 cited
  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 1990Scale and Scope3,076 cited
  • 1986After the Great Divide1,766 cited
  • 2009Empire1,267 cited
  • 1996Performing Rites1,123 cited
  • 1988Highbrow/Lowbrow1,097 cited
  • 1990Objectivity, Relativism, and Truth1,094 cited
  • 1982Using Background Music to Affect the Behavior of Supermarket Shoppers1,074 cited
  • 1991Systems of articulation, logics of change: Communities and scenes in popular music893 cited
  • 1979Reification and Utopia in Mass Culture849 cited
  • 1982Cultural entrepreneurship in nineteenth-century Boston: the creation of an organizational base for high culture in America784 cited
  • 1994Post‐Fordism759 cited
  • 1990Music, Mood, and Marketing746 cited
  • 1998Analysing Musical Multimedia560 cited
  • 1986Ethnicity and the Post-Modern Arts of Memory511 cited

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