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"Is that me, Baby?" Image, Authenticity, and the Career of Bruce Springsteen
3 references·5 citing·33 second hop
"Is that me, Baby?" Image, Authenticity, and the Career of Bruce Springsteen (1994)"Is that me, Baby?" Image, Authenticity, …The assembly line of greatness: Celebrity in twentieth‐century America (1992)The assembly line of greatnes…Putting the Pop Back into Postmodernism (1989)Putting the Pop Back into Pos…On Postmodernism and Articulation (1986)On Postmodernism and Articula…Born to Run : The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen (2021)Born to Run : The Transmedia …Rediscovering the idols: K-pop idols behind the mask (2017)Rediscovering the idols: K-po…Springsteen, Tradition, and the Purpose of the Artist (2014)Springsteen, Tradition, and t…Jack White and the Music of the Past, Present, and Future (2014)Jack White and the Music of t…From recording performances to performing recordings. Recording technology and shifting ideologies of authorship in popular music. (2010)From recording performances t…Jameson, Fredric. Postmodernism, Or, The Cultural Logic of Late Capitalism (1992)The Cultural Logic of Late Capitalism (1992)Consumers and Their Brands: Developing Relationship Theory in Consumer Research (1998)Amusing ourselves to death: Public discourse in the age of show business (1988)The image : a guide to pseudo-events in America (1992)The Challenge of Cultural Elites: Celebrities and Social Movements* (1995)Amusing Ourselves to Death: Public Discourse in the Age of Show Business (2010)The celebritization of society and culture: Understanding the structural dynamics of celebrity culture (2012)Celebrity capital: redefining celebrity using field theory (2013)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Postmodernism and the Discourse of Educational Criticism (1988)Postmodernism, Protest, and the New Social Movements (1992)Can the Subaltern Speak? (2003)Postmodernism, Protest, and the New Social Movements (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Selected Poems and Prefaces (1970)Rockin' with Reagan, or the Mainstreaming of Postmodernity (1988)Music for pleasure: essays in the sociology of pop (1989)Authentic boy bands on TV? Performers and impresarios in The Monkees and Making the Band (2002)Hybridity and the rise of Korean popular culture in Asia (2005)The Structural Functions of Stardom in the Recording Industry (2012)Plotting the course: artistry, celebrity and kugak in South Korea (2021)Archaeology, Emotional Storytelling, and Performance (2022)The international strategy for Korean pop music: what makes K-pop listed on Billboard Hot 100? (2023)Repeated Takes: A Short History of Recording and its Effects on Music (1995)Capturing sound: how technology has changed music (2005)Remix: making art and commerce thrive in the hybrid economy (2009)Dancing in the distraction factory: music television and popular culture (1993)Authenticity as authentication (2002)Reading autobiography: a guide for interpreting life narratives (2011)Articulating Indigenous Identity in Indonesia: Resource Politics and the Tribal Slot (2000)Utopian Enterprise: Articulating the Meanings ofStar Trek's Culture of Consumption : Figure 1 (2001)Intersectionality's Definitional Dilemmas (2015)
this work references cited by second hop

References

  • 1986On Postmodernism and Articulation1,121 cited
  • 1989Putting the Pop Back into Postmodernism70 cited
  • 1992The assembly line of greatness: Celebrity in twentieth‐century America65 cited

Cited by

  • 2017Rediscovering the idols: K-pop idols behind the mask16 cited
  • 2021Born to Run : The Transmedia Evolution of the Bruce Springsteen Memoir from Book to Stage and Screen2 cited
  • 2014Jack White and the Music of the Past, Present, and Future2 cited
  • 2014Springsteen, Tradition, and the Purpose of the Artist2 cited
  • 2010From recording performances to performing recordings. Recording technology and shifting ideologies of authorship in popular music.2 cited

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