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A Boal Companion: Dialogues on Theatre and Cultural Politics
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  • 2016Data Murals: Using the Arts to Build Data Literacy72 cited
  • 2013Collective voicing as a reflexive practice62 cited
  • 2011Rehearsals for revolution? Theatre of the Oppressed, dominant discourses, and democratic tensions34 cited
  • 2008Taking liberties: a theatre class of foolish witnesses30 cited
  • 2017An Aesthetic of Relationality: Embodiment, Imagination, and the Necessity of Playing the Fool in Research-Informed Theater25 cited
  • 2013Facilitating future-oriented collaborative knowledge creation by using artistic organizational innovation methods: Experiences from a Finnish wood-processing company25 cited
  • 2012A silent revolution: ‘Image Theatre’ as a system of decolonisation23 cited
  • 2012Spaces of Play: The Spatial Dimensions of Underground Club Culture and Locating the Subjunctive17 cited
  • 2020Loopings of Love and Rage: Sitting in the Trouble13 cited
  • 2019Working within an aesthetic of relationality: theoretical considerations of embodiment, imagination and foolishness as part of theatre making about dementia13 cited
  • 2018To be Black. to be a Woman. Can Dramatherapy help Black Women to Discover Their True Self despite Racial and Gender Oppression?12 cited
  • 2009Embodied Think Thanks: Practicing Citizenship through Legislative Theatre11 cited
  • 2017Roles as a route to being ‘other’: drama-based interventions with at-risk students

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  • 2020Engaging Theatre, Activating Publics: Theory and Practice of a Performance on Darwin8 cited
  • 2016The Dramaturgy of Autobiographical Therapeutic Performance7 cited
  • 2008Invisible theatre, ethics, and the adult educator6 cited