SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
How aesthetic logics shape a cultural field: Differentiation and consolidation in the transnational field of fashion images, 1982–2011
16 references·16 citing·35 second hopsampled
How aesthetic logics shape a cultural field: Differentiation and consolidation in the transnational field of fashion images, 1982–2011 (2016)How aesthetic logics shape a cultural fie…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Global Gender Gap Report 2011 (2013)Global Gender Gap Report 2011Exploiting affinities between topic modeling and the sociological perspective on culture: Application to newspaper coverage of U.S. government arts funding (2013)Exploiting affinities between…Gender and the Media (2007)Gender and the MediaReading Images (2006)Reading ImagesThe iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)The iron cage revisited insti…The Study of Boundaries in the Social Sciences (2002)The Study of Boundaries in th…The field of Cultural Production (2002)The field of Cultural Product…Measuring Meaning Structures (1998)Measuring Meaning StructuresManifesto for a Relational Sociology (1997)Manifesto for a Relational So…Objectification (1995)ObjectificationThe Field of Cultural Production (1994)The Field of Cultural Product…Distinction. A Social Critique of the Judgement of Taste (1985)Distinction. A Social Critiqu…The Iron Caged Revisited : Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The Iron Caged Revisited : In…The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The Iron Cage Revisited: Inst…Gender Advertisements (1976)Gender AdvertisementsBlockchain to blockchange? NFTs and DIY entrepreneurship in music production (2024)Blockchain to blockchange? NF…Dress is a Fundamental Component of Person Perception (2023)Dress is a Fundamental Compon…Aesthetic Embeddedness: Towards an Aesthetic Understanding of Cultural and Artistic Entrepreneurship (2023)Aesthetic Embeddedness: Towar…When the local encounters the global: aesthetic conflicts in the Chinese traditional music world (2022)When the local encounters the…Structure, Strategy and Self in Cultural Peripheries: Theorizing the Periphery in the Polish and Dutch Fashion Fields (2022)Structure, Strategy and Self …Muscles, Makeup, and Femboys: Analyzing TikTok’s “Radical” Masculinities (2022)Muscles, Makeup, and Femboys:…“It’s All About the Look”: Making Sense of Appearance, Attractiveness, and Authenticity Online (2022)“It’s All About the Look”: Ma…The Microsociology of Aesthetic Evaluation: Selecting Runway Fashion Models (2021)The Microsociology of Aesthet…Empreendedorismo cultural e artístico: veredas da pesquisa acadêmica (2021)Empreendedorismo cultural e a…Beauty: Triggering the Sociological Imagination with a Webcomic (2021)Beauty: Triggering the Sociol…A model who looks like me: Communicating and consuming representations of disability (2021)A model who looks like me: Co…On the fashionalization of digital devices: a study of the representation of mobile phones in fashion magazines (2020)On the fashionalization of di…Of Sound and Flavour – Revisiting the Notion of Material for the Cultural Sociological Analysis of Art Domains (2020)Of Sound and Flavour – Revisi…Taste as Market Practice: The Example of “Natural” Wine (2018)Taste as Market Practice: The…Kinfolkmagazine: anchoring a taste regime (2017)Kinfolkmagazine: anchoring a …Gender models: changing representations and intersecting roles in Dutch and Italian fashion magazines, 1982–2011 (2016)Gender models: changing repre…Discipline and Punish: The Birth of the Prison. (1978)Science in action : how to follow scientists and engineers through society (1987)Structural Holes: The Social Structure of Competition (1995)Social Theory of International Politics (1999)Collective Identity and Social Movements (2001)On the meaning of work: A theoretical integration and review (2010)A Garbage Can Model of Organizational Choice (1972)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)The Population Ecology of Organizations (1977)Managing Legitimacy: Strategic and Institutional Approaches (1995)Toward a Theory of Stakeholder Identification and Salience: Defining the Principle of who and What Really Counts (1997)International Norm Dynamics and Political Change (1998)Institutional Ecology, `Translations' and Boundary Objects: Amateurs and Professionals in Berkeley's Museum of Vertebrate Zoology, 1907-39 (1989)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Rankings and Reactivity: How Public Measures Recreate Social Worlds (2007)Boundary Crossing and Boundary Objects (2011)Intersectionality's Definitional Dilemmas (2015)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)The Moral Significance of Class (2005)Joint ventures: Theoretical and empirical perspectives (1988)Knowledge flows within multinational corporations (2000)The Network Paradigm in Organizational Research: A Review and Typology (2003)Corporate Social and Financial Performance: A Meta-Analysis (2003)White Native English Speakers Needed: The Rhetorical Construction of Privilege in Online Teacher Recruitment Spaces (2014)Gamification and Mobile Marketing Effectiveness (2016)Cutting through Content Clutter: How Speech and Image Acts Drive Consumer Sharing of Social Media Brand Messages (2018)Creative Cities, Creative Spaces and Urban Policy (2009)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1983The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields38,372 cited
  • 2004The iron cage revisited institutional isomorphism and collective rationality in organizational fields25,805 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1983The Iron Caged Revisited : Institutional Isomorphism and Collective Rationality in Organizational Fields9,047 cited
  • 2002The Study of Boundaries in the Social Sciences5,117 cited
  • 1985Distinction. A Social Critique of the Judgement of Taste4,442 cited
  • 1997Manifesto for a Relational Sociology3,825 cited
  • 2006Reading Images3,735 cited
  • 1994The Field of Cultural Production3,293 cited
  • 2002The field of Cultural Production2,461 cited
  • 2013Exploiting affinities between topic modeling and the sociological perspective on culture: Application to newspaper coverage of U.S. government arts funding1,149 cited
  • 1976Gender Advertisements1,026 cited
  • 2013Global Gender Gap Report 20111,019 cited
  • 1995Objectification905 cited
  • 1998Measuring Meaning Structures615 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2007
Gender and the Media
604 cited

Cited by

  • 2023Dress is a Fundamental Component of Person Perception88 cited
  • 2021A model who looks like me: Communicating and consuming representations of disability50 cited
  • 2022Muscles, Makeup, and Femboys: Analyzing TikTok’s “Radical” Masculinities43 cited
  • 2016Gender models: changing representations and intersecting roles in Dutch and Italian fashion magazines, 1982–201131 cited
  • 2022“It’s All About the Look”: Making Sense of Appearance, Attractiveness, and Authenticity Online22 cited
  • 2018Taste as Market Practice: The Example of “Natural” Wine18 cited
  • 2021Empreendedorismo cultural e artístico: veredas da pesquisa acadêmica16 cited
  • 2022When the local encounters the global: aesthetic conflicts in the Chinese traditional music world11 cited
  • 2023Aesthetic Embeddedness: Towards an Aesthetic Understanding of Cultural and Artistic Entrepreneurship10 cited
  • 2017Kinfolkmagazine: anchoring a taste regime9 cited
  • 2021Beauty: Triggering the Sociological Imagination with a Webcomic8 cited
  • 2021The Microsociology of Aesthetic Evaluation: Selecting Runway Fashion Models7 cited
  • 2022Structure, Strategy and Self in Cultural Peripheries: Theorizing the Periphery in the Polish and Dutch Fashion Fields7 cited
  • 2020On the fashionalization of digital devices: a study of the representation of mobile phones in fashion magazines6 cited
  • 2020Of Sound and Flavour – Revisiting the Notion of Material for the Cultural Sociological Analysis of Art Domains5 cited
  • 2024Blockchain to blockchange? NFTs and DIY entrepreneurship in music production4 cited