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Traces of the World: Cel Animation and Photography
16 references·2 citing·36 second hop
Traces of the World: Cel Animation and Photography (2016)Traces of the World: Cel Animation and Ph…Shadow of a Mouse: Performance, Belief, and World-Making in Animation (2012)Shadow of a Mouse: Performanc…What Cinema Is! (2010)What Cinema Is!On the camera arts and consecutive matters: the writings of Hollis Frampton (2009)On the camera arts and consec…Animation and automation, or, the incredible effortfulness of being (2009)Animation and automation, or,…What's the Point of an Index? or, Faking Photographs (2008)What's the Point of an Index?…Moving Away from the Index: Cinema and the Impression of Reality (2007)Moving Away from the Index: C…The Cinema Effect (2004)The Cinema EffectThe Digital dialectic: new essays on new media (1999)The Digital dialectic: new es…For Documentary (1999)For DocumentaryBefore Mickey (1993)Before MickeyThe Burden of Representation: Essays on Photographies and Histories. (1989)The Burden of Representation:…Chuck Amuck: The Life and Times of an Animated Cartoonist (1989)Chuck Amuck: The Life and Tim…The Body and the Archive (1986)The Body and the ArchivePhotography's Discursive Spaces: Landscape/View (1982)Photography's Discursive Spac…Morelli, Freud and Sherlock Holmes: Clues and Scientific Method* (1980)Morelli, Freud and Sherlock H…THEORY OF FILM: The Redemption of Physical Reality (1965)THEORY OF FILM: The Redemptio…Frame by Frame: A Materialist Aesthetics of Animated Cartoons (2018)Frame by Frame: A Materialist…Glitch (2017)GlitchPhilosophical Writings of Peirce (1955)Change Mummified: Cinema, Historicity, Theory (2001)The Language of New Media (2002)Digital Material : Tracing New Media in Everyday Life and Technology (2009)Exhibiting Cinema in Contemporary Art (2013)Soul of the Documentary (2015)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Visual Pleasure and Narrative Cinema (1975)Difference and repetition (1994)Bringing Dinosaurs Back to Life: Exhibiting Prehistory at the American Museum of Natural History (2012)Seeing the Unseen in Indonesia's Public Sphere: Photographic Appearances of a Spirit Queen (2013)Rethinking Photojournalism: The Changing Work Practices and Professionalism of Photojournalists in the Digital Age (2014)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)Twelve Fallacies in Contemporary Adaptation Theory (2003)Intensities of feeling: towards a spatial politics of affect (2004)Measures of Perceived Interactivity: An Exploration of the Role of Direction of Communication, User Control, and Time in Shaping Perceptions of Interactivity (2002)The automatic production of space (2002)Culture, Globalization, Mediation (2004)On Ethnographic Authority (1983)On the Determination of Social Action in Space and Time (1983)How Does Fiction Reading Influence Empathy? An Experimental Investigation on the Role of Emotional Transportation (2013)Archaeology of a digitization (2014)Out of the frame: A longitudinal perspective on digitization and professional photojournalism (2014)Frame by Frame (2019)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)The Quadruple Object (2011)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)The Veiled Genealogies of Animation and Cinema (2011)Animating the Instant (2014)Whole-Screen Metamorphosis and the Imagined Camera (Notes on Perspectival Movement in Animation) (2015)Representing Discourse: The Rhetoric of Transcription (1991)On the Need to Ask How, Exactly, Is Geography “Visual”? (2003)Discriminating Data (2021)“Going to the movies”: accounting and twentieth century cinema (2009)Accounting and everyday life: towards a cultural context for accounting research (2009)Technologies of Perception: Miyazaki in Theory and Practice (2009)
this work references cited by second hop

References

  • 1965THEORY OF FILM: The Redemption of Physical Reality1,310 cited
  • 1986The Body and the Archive1,113 cited
  • 1989The Burden of Representation: Essays on Photographies and Histories.935 cited
  • 1980Morelli, Freud and Sherlock Holmes: Clues and Scientific Method*461 cited
  • 1999The Digital dialectic: new essays on new media275 cited
  • 2007Moving Away from the Index: Cinema and the Impression of Reality249 cited
  • 1982Photography's Discursive Spaces: Landscape/View238 cited
  • 2004The Cinema Effect170 cited
  • 2008What's the Point of an Index? or, Faking Photographs155 cited
  • 2010What Cinema Is!146 cited
  • 1993Before Mickey123 cited
  • 2009Animation and automation, or, the incredible effortfulness of being84 cited
  • 1999For Documentary67 cited
  • 2009On the camera arts and consecutive matters: the writings of Hollis Frampton58 cited
  • 1989Chuck Amuck: The Life and Times of an Animated Cartoonist56 cited
  • 2012Shadow of a Mouse: Performance, Belief, and World-Making in Animation54 cited

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Cited by

  • 2017Glitch12 cited
  • 2018Frame by Frame: A Materialist Aesthetics of Animated Cartoons8 cited