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Considering the glass case: Material encounters between museums, visitors and religious objects
16 references·12 citing·26 second hop
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References

  • 2005Reassembling the Social16,760 cited
  • 2008Reassembling the social: An introduction to actor‐network‐theory7,617 cited
  • 1967Purity and Danger: An Analysis of Concepts of Pollution and Taboo5,752 cited
  • 2003Purity and Danger5,083 cited
  • 2000Pandora's Hope: Essays on the Reality of Science Studies5,048 cited
  • 1993Shaping Technology, Building Society: Studies in Sociotechnical Change.3,540 cited
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  • 1966Unobtrusive Measures: Nonreactive Research in the Social Sciences1,968 cited
  • 1999Art and Agency: An Anthropological Theory1,929 cited
  • 2007Christian moderns freedom and fetish in the mission encounter1,484 cited
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  • 1968The System of Objects715 cited
  • 1950The Story of Art396 cited
  • 1993Cannibal Tours and Glass Boxes: The Anthropology 89 of Museums290 cited
  • 2003Re-Imagining the Museum256 cited
  • 1992Cannibal Tours and Glass Boxes: The Anthropology of Museums214 cited

Cited by

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  • 2019Sacred Heritage47 cited
  • 2022Heritagization of religious sites: in search of visitor agency and the dialectics underlying heritage planning assemblages41 cited
  • 2018Flower, soil, water, stone: Biblical landscape items and Protestant materiality15 cited
  • 2020Sacred Heritage: Monastic Archaeology, Identities, Beliefs11 cited
  • 2022The museum is like a temple: the Fo Guang Shan Buddha Museum in Taiwan16 cited
  • 2024Documenting the Divine: The Future of Sacred Objects in Museum Databases3 cited
  • 2019Spirit, Mind and Body: The Archaeology of Monastic Healing3 cited
  • 2020Experiential design and religious publicity at D.C.’s Museum of the Bible2 cited
  • 2021Interpreting Religion with Cultural Heritage Students2 cited
  • 2022Sensing Materiality in the Museum of Witchcraft and Magic1 cited
  • 2020Objekte im Netz1 cited
  • 2018The Art Gallery and its Audience: Reflecting on Scale and Spatiality in Practice and Theory1 cited