SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Bach's Works for Solo Violin
0 references·9 citing·34 second hop
Bach's Works for Solo Violin (1999)Bach's Works for Solo ViolinInterprtative Lens of Segovia’s classical guitar transcription on Bach’s Chaconne from Partita No.2 in D Minor Bwv 1004 (2024)Interprtative Lens of Segovia…Second-Reprise Opening Schemas in Bach’s Binary Movements (2021)Second-Reprise Opening Schema…Analyzing Difference in Recordings of Bach’s Violin Solos with a Lead from Gilles Deleuze (2017)Analyzing Difference in Recor…What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (2015)What Is a Cadence?: Theoretic…Prelude on a Partimento (2015)Prelude on a PartimentoDisquieting Conversations: Bach, Modernity, and God (2013)Disquieting Conversations: Ba…Stream Segregation and Perceived Syncopation (2011)Stream Segregation and Percei…The Performer’s Voice: Performance and Analysis in Ravel’sConcerto pour la main gauche (2005)The Performer’s Voice: Perfor…Analysis and Performance Studies. A Summary of Current Research (2005)Analysis and Performance Stud…Musical Form and Musical Performance (1969)The time of music: new meanings, new temporalities, new listening strategies (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Mind in Society: The Development of Higher Psychological Processes (1978)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Oxford Handbook of Topic Theory (2013)Review of Massimiliano Guido, ed.,Studies in Historical Improvisation fromCantare super LibrumtoPartimenti (Ashgate, 2017) (2017)The Partimento Tradition in the Shadow of Enlightenment Thought (2017)FOUR STEPS TOWARDS PARNASSUS: JOHANN DAVID HEINICHEN'S METHOD OF KEYBOARD IMPROVISATION AS A MODEL OF BAROQUE COMPOSITIONAL PEDAGOGY (2019)Philosophical Investigations. (1954)Personal Knowledge: Towards a Post-Critical Philosophy (1959)Metaphors We Live By (2003)The Senses Considered as Perceptual Systems (1969)Women, Fire, and Dangerous Things (1987)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas (2019)Processual Tonality and the Psychoacoustics of Chromaticism (2025)Early Recordings and Musical Style (1992)Playing with History (2002)Historical Trends in Expressive Timing Strategies: Chopin's Etude, Op. 25 no. 1 (2021)Early twentieth-century recordings in higher music education: a preliminary analysis of the students’ views (2024)Musical Form and Musical Performance (1971)The Composer's Voice (1974)Performance and Analysis Today (2016)Interpretive Difficulty and Emergent Structure in Contemporary Music (2022)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Music in the Galant Style (2007)Feminist Theory, Music Theory, and the Mind/Body Problem (1994)Introduction (2012)Mapping Ravel’s “La vallée des cloches” (2020)TRANSCRIPTION, AUTHENTICITY AND PERFORMANCE (1988)The Cambridge Companion to the Guitar (2003)A Concise History of the Classic Guitar (2006)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire22 cited
  • 2021Second-Reprise Opening Schemas in Bach’s Binary Movements21 cited
  • 2013Disquieting Conversations: Bach, Modernity, and God17 cited
  • 2017Analyzing Difference in Recordings of Bach’s Violin Solos with a Lead from Gilles Deleuze12 cited
  • 2015Prelude on a Partimento12 cited
  • 2005The Performer’s Voice: Performance and Analysis in Ravel’sConcerto pour la main gauche6 cited
  • 2005Analysis and Performance Studies. A Summary of Current Research5 cited
  • 2011Stream Segregation and Perceived Syncopation4 cited
  • 2024Interprtative Lens of Segovia’s classical guitar transcription on Bach’s Chaconne from Partita No.2 in D Minor Bwv 10042 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work