SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Embodied Intersubjectivity and the Creation of Early Modern Character
12 references·1 citing·26 second hop
Embodied Intersubjectivity and the Creation of Early Modern Character (2009)Embodied Intersubjectivity and the Creati…Shakespeare and Character (2009)Shakespeare and CharacterPersonnage: History, Philology, Performance (2009)Personnage: History, Philolog…Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation (2007)Mask and Performance in Greek…Shakespeare by Stages (2003)Shakespeare by StagesEnter The Body: Women and Representation on Shakespeare's Stage (2001)Enter The Body: Women and Rep…Shakespeare and the Authority of Performance (1997)Shakespeare and the Authority…Embodiment and Experience: The Existential Ground of Culture and Self (1996)Embodiment and Experience: Th…Character: Acting and Being on the Pre-Modern Stage (1990)Character: Acting and Being o…Merleau-Ponty’s Phenomenology of Perception (1989)Merleau-Ponty’s Phenomenology…The Player's Passion: Studies in the Science of Acting (1986)The Player's Passion: Studies…12. Apology for Raymond Sebond (1575-76, 1578-80) (1958)12. Apology for Raymond Sebon…The Tragedy of Hamlet, Prince of Denmark (1603)The Tragedy of Hamlet, Prince…“To Move the Spirits of the Beholder to Admiration”: Lively Passionate Performance on the Early Modern Stage (2017)“To Move the Spirits of the B…Virtue as "Likeness to God" in Plato and Seneca (2004)The Cambridge History of Eighteenth-Century Political Thought (2006)Alief in Action (and Reaction) (2008)The Mortal Voice in the Tragedies of Aeschylus (2017)Greek Tragedy in the Fourth Century: The Fragments (2018)The Improvisational Entrepreneur: Improvisation Training in Entrepreneurship Education (2018)Shakespeare and the power of performance: stage and page in the Elizabethan theatre (2009)"The written troubles of the brain": Sleep No More and the Space of Character (2012)Reflections on Violence, Law, and Humanitarianism (2014)The Social Model of Disability and the Disappearing Body: Towards a sociology of impairment (1997)Cultural variations in the clinical presentation of depression and anxiety: implications for diagnosis and treatment. (2001)Identity‐based motivation: Implications for action‐readiness, procedural‐readiness, and consumer behavior (2009)Stage Fright, Animals, and Other Theatrical Problems (2006)The Cambridge Introduction to Theatre Studies (2008)In the eye of the beholder? Universality and cultural specificity in the expression and perception of emotion (2011)The Phenomenological Perspective (1991)Merleau-Ponty's Notion of Pre-Reflective Intentionality (1999)The Attending Mind (2020)Alternative Shakespeares (2003)Shakespeare and the Force of Modern Performance (2003)Shakespeare, Spectatorship and the Technologies of Performance (2020):Shakespeare and the Force of Modern Performance (2004)The Nature of Norms in Early Modern England: Anatomy, Cartography, King Lear (2009)A non-probabilistic concept of reliability (1994)Diplomatic Theory of International Relations (2009)Feeling robots and human zombies: Mind perception and the uncanny valley (2012)
this work references cited by second hop

References

  • 1996Embodiment and Experience: The Existential Ground of Culture and Self1,274 cited
  • 1986The Player's Passion: Studies in the Science of Acting534 cited
  • 1603The Tragedy of Hamlet, Prince of Denmark270 cited
  • 1997Shakespeare and the Authority of Performance165 cited
  • 2007Mask and Performance in Greek Tragedy: From Ancient Festival to Modern Experimentation154 cited
  • 2001Enter The Body: Women and Representation on Shakespeare's Stage147 cited
  • 195812. Apology for Raymond Sebond (1575-76, 1578-80)143 cited
  • 1989Merleau-Ponty’s Phenomenology of Perception120 cited
  • 2009Shakespeare and Character50 cited
  • 1990Character: Acting and Being on the Pre-Modern Stage38 cited
  • 2003Shakespeare by Stages32 cited
  • 2009Personnage: History, Philology, Performance16 cited

Cited by

  • 2017“To Move the Spirits of the Beholder to Admiration”: Lively Passionate Performance on the Early Modern Stage5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work