SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A Photoluminescence Study of the Changes Induced in the Zinc White Pigment by Formation of Zinc Complexes
15 references·9 citing·37 second hop
A Photoluminescence Study of the Changes Induced in the Zinc White Pigment by Formation of Zinc Complexes (2017)A Photoluminescence Study of the Changes …The crystallization of metal soaps and fatty acids in oil paint model systems (2016)The crystallization of metal …Ionomer-like structure in mature oil paint binding media (2016)Ionomer-like structure in mat…Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues (2016)Analytical imaging studies of…An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings (2015)An infrared spectroscopic stu…A multiscalar photoluminescence approach to discriminate among semiconducting historical zinc white pigments (2013)A multiscalar photoluminescen…Zinc white: a review of zinc oxide pigment properties and implications for stability in oil-based paintings (2012)Zinc white: a review of zinc …Photoluminescence Properties of Zinc Oxide in Paints: A Study of the Effect of Self-Absorption and Passivation (2012)Photoluminescence Properties …Metal Stearate Distributions in Modern Artists' Oil Paints: Surface and Cross-Sectional Investigation of Reference Paint Films Using Conventional and Synchrotron Infrared Microspectroscopy (2012)Metal Stearate Distributions …Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples (2011)Synchrotron UV−Visible Multis…Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Attenuated total reflection m…Pigment Compendium: A Dictionary of Historical Pigments (2007)Pigment Compendium: A Diction…Gas chromatographic–mass spectrometric characterisation of plant gums in samples from painted works of art (2007)Gas chromatographic–mass spec…Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)Study of the influencing effe…The Characterization of Metal Soaps (2003)The Characterization of Metal…Chemical Reactions Between Copper Pigments and Oleoresinous Media (2002)Chemical Reactions Between Co…Novel markers to early detect degradation on cellulose nitrate-based heritage at the submicrometer level using synchrotron UV–VIS multispectral luminescence (2021)Novel markers to early detect…Zinc oxide instability in drying oil paint (2020)Zinc oxide instability in dry…Photoluminescence imaging of modern paintings: there is plenty of information at the microsecond timescale (2020)Photoluminescence imaging of …Experimental Study on the Link between Optical Emission, Crystal Defects and Photocatalytic Activity of Artist Pigments Based on Zinc Oxide (2020)Experimental Study on the Lin…Synchrotron Deep-UV Photoluminescence Imaging for the Submicrometer Analysis of Chemically Altered Zinc White Oil Paints (2019)Synchrotron Deep-UV Photolumi…In-situ technical study of modern paintings - Part 2: Imaging and spectroscopic analysis of zinc white in paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) (2019)In-situ technical study of mo…On the photoluminescence changes induced by ageing processes on zinc white paints (2018)On the photoluminescence chan…New insights into the complex photoluminescence behaviour of titanium white pigments (2018)New insights into the complex…Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers (2017)Time-Resolved Photoluminescen…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)The Organic Chemistry of Museum Objects (1988)Ancient Egyptian materials and technology (2000)Ancient Egyptian Materials and Technology. By Paul T. Nicholson and Ian Shaw. (2001)Analysis of plant gums and saccharide materials in paint samples: comparison of GC-MS analytical procedures and databases (2012)Invasive and non-invasive analyses for knowledge and conservation of Roman wall paintings of the Villa of the Papyri in Herculaneum (2014)Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects (2016)National Gallery Technical Bulletin (1979)Infrared Spectroscopy in Conservation Science (2000)Investigating the Photocatalytic Degradation of Oil Paint using ATR-IR and AFM-IR (2017)The characterisation of lead fatty acid soaps in ‘protrusions’ in aged traditional oil paint (2003)Analytical Imaging Studies of Cross-Sections of Paintings Affected by Lead Soap Aggregate Formation (2007)20th century artists’ oil paints: The case of the Olii by Lucio Fontana (2013)Modern Oil Paints – Formulations, Organic Additives and Degradation: Some Case Studies (2014)A Critical Review on the Analysis of Metal Soaps in Oil Paintings (2021)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Lead soaps in paintings: Friends or foes? (2016)Fatty Acids and Their Metal Salts: A Review of Their Infrared Spectra in Light of Their Presence in Cultural Heritage (2021)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)Accelerated Aging, Photochemical and Thermal Aspects (1996)Conservation of Easel Paintings (2013)Time-Dependent ATR-FTIR Spectroscopic Studies on Solvent Diffusion and Film Swelling in Oil Paint Model Systems (2018)Toward a Complete Molecular Model for the Formation of Metal Soaps in Oil Paints (2019)Evolution of Zinc Carboxylate Species in Oil Paint Ionomers (2020)Characterization of Pararealgar and Other Light-Induced Transformation Products from Realgar by Raman Microspectroscopy (1996)Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses (2015)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Applications of synchrotron X-ray nano-probes in the field of cultural heritage (2018)Pigments—Arsenic-based yellows and reds (2021)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Time‐Dependent ATR‐FTIR Spectroscopic Studies on Fatty Acid Diffusion and the Formation of Metal Soaps in Oil Paint Model Systems (2018)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Microanalysis of organic pigments and glazes in polychrome works of art by surface-enhanced resonance Raman scattering (2009)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)
this work references cited by second hop

References

  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 2003The Characterization of Metal Soaps249 cited
  • 2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
  • 2015An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings150 cited
  • 2012Metal Stearate Distributions in Modern Artists' Oil Paints: Surface and Cross-Sectional Investigation of Reference Paint Films Using Conventional and Synchrotron Infrared Microspectroscopy92 cited
  • 2012Zinc white: a review of zinc oxide pigment properties and implications for stability in oil-based paintings91 cited
  • 2016Ionomer-like structure in mature oil paint binding media89 cited
  • 2007Gas chromatographic–mass spectrometric characterisation of plant gums in samples from painted works of art87 cited
  • 2016Analytical imaging studies of the migration of degraded orpiment, realgar, and emerald green pigments in historic paintings and related conservation issues83 cited
  • 2016The crystallization of metal soaps and fatty acids in oil paint model systems80 cited
  • 2002Chemical Reactions Between Copper Pigments and Oleoresinous Media74 cited
  • 2011Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples64 cited
  • 2012Photoluminescence Properties of Zinc Oxide in Paints: A Study of the Effect of Self-Absorption and Passivation

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

60 cited
  • 2013A multiscalar photoluminescence approach to discriminate among semiconducting historical zinc white pigments44 cited
  • 2006Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media40 cited
  • Cited by

    • 2018New insights into the complex photoluminescence behaviour of titanium white pigments30 cited
    • 2021Novel markers to early detect degradation on cellulose nitrate-based heritage at the submicrometer level using synchrotron UV–VIS multispectral luminescence26 cited
    • 2020Zinc oxide instability in drying oil paint24 cited
    • 2017Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers23 cited
    • 2019Synchrotron Deep-UV Photoluminescence Imaging for the Submicrometer Analysis of Chemically Altered Zinc White Oil Paints20 cited
    • 2020Photoluminescence imaging of modern paintings: there is plenty of information at the microsecond timescale18 cited
    • 2018On the photoluminescence changes induced by ageing processes on zinc white paints17 cited
    • 2020Experimental Study on the Link between Optical Emission, Crystal Defects and Photocatalytic Activity of Artist Pigments Based on Zinc Oxide17 cited
    • 2019In-situ technical study of modern paintings - Part 2: Imaging and spectroscopic analysis of zinc white in paintings from 1889 to 1940 by Alessandro Milesi (1856–1945)15 cited