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Cited by

• 1999Retro‐marketing: yesterday’s tomorrows, today!145 cited
• 2002The politics of data collection: Gathering, analysing and using data about the subsidised cultural sector in England85 cited
• 2022Heritage, the power of the past, and the politics of (mis)recognition78 cited
• 2021Heritage sites, value and wellbeing: learning from the COVID-19 pandemic in England70 cited
• 2021Young people and museums in the time of covid-1936 cited
• 2011The social production of ‘attractive authenticity’ at the World Heritage Site of Røros, Norway34 cited
• 2005Culture and Constraints: Further Thoughts on Ethnography and Exhibiting31 cited
• 2006Leisure—A function of museums? The Taiwan perspective29 cited
• 2015Evaluation strategies in the cultural sector: the case of the Kelvingrove Museum and Art Gallery in Glasgow28 cited
• 2016The ‘co’ in co-production: Museums, community participation and Science and Technology Studies24 cited
• 2005A pós-modernização da cultura: património e museus na contemporaneidade19 cited
• 2005Museums and Identity in Glasgow19 cited
• 2009Importance–performance analysis of the Taipei Fine Arts Museum's services15 cited
• 2020Colliding epistemologies, productive tensions and usable pasts in the generation of heritage-led immersive experiences