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On reflection: The role, mode and medium of the reflective component in practice as research
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On reflection: The role, mode and medium of the reflective component in practice as research (2018)On reflection: The role, mode and medium …The performative exegesis (2016)The performative exegesisRadicalising the scholarly paper: New forms for the traditional journal article (2016)Radicalising the scholarly pa…COMPOSITION IS NOT RESEARCH (2015)COMPOSITION IS NOT RESEARCHCOMPOSITION AND PERFORMANCE CAN BE, AND OFTEN HAVE BEEN, RESEARCH (2015)COMPOSITION AND PERFORMANCE C…Six rules for practice-led research (2012)Six rules for practice-led re…Evolution of the exegesis: the radical trajectory of the creative writing doctorate in Australia (2011)Evolution of the exegesis: th…The Problem of the Exegesis in Creative Writing Higher Degrees (2004)The Problem of the Exegesis i…A Question of Genre: de-mystifying the exegesis (2000)A Question of Genre: de-mysti…Writing in the Dark: Exorcising the Exegesis (1998)Writing in the Dark: Exorcisi…How We Think: A Restatement of the Relation of Reflective Thinking to the Educative Process (1934)How We Think: A Restatement o…The World as Will and Representation. (1959)Truth and Method (1960)Is Artistic Practice Research? (2017)Artistic Research in Performance through Collaboration (2020)Tractatus Logico-Philosophicus (2023)Personal Knowledge: Towards a Post-Critical Philosophy (1959)The PhD In Writing Accompanied By An Exegesis (2005)Practice Led Research: Creative Activity, Academic Debate, and Intellectual Rigour (2012)Journaling – a path to exegesis in creative research (2014)Representation, Legitimation, and Autoethnography: An Autoethnographic Writing Story (2003)The marriage of art and academia: Challenges and opportunities for music research in practice-based environments (2007)Autoethnography, Autobiography, and Creative Art as Academic Research in Music Studies: A Fugal Ethnodrama (2019)Doubling the Point: Essays and Interviews (1992)A Manifesto for Performative Research (2006)The scholarly exegesis as a memoir (2017)Woman, Native, Other: Writing Postcoloniality and Feminism (1990)Jacques Lacan: a feminist introduction (1991)‘Loose thinking’: Writing an eisegesis (2010)Exegetical essentials: a framing structure and template for a comprehensive exegesis in the creative arts (2017)Revolution in Poetic Language (2024)Screen production enquiry: a study of five Australian doctorates (2015)Dancing with power: Aboriginal health, cultural safety and medical education (2017)Methods Braiding: A Technique for Arts-Based and Mixed-Methods Research (2019)Reflection in teacher education: Towards definition and implementation (1995)Non‐formal learning and tacit knowledge in professional work (2000)Informal learning in the workplace (2004)Contributing to knowledge in creative writing research: what, where, how? (2017)Exegesis and artefact as a woven work: Problems of examination (2018)The Exegesis and the Gentle Reader/Writer (2004)Begging the question: Performativity and studio-based research (2014)5. Die Zukunft der Literaturmuseen. Ein aktivistisches Manifest (2022)Die Zukunft der Literaturmuseen (2022)
this work references cited by second hop

References

  • 1934How We Think: A Restatement of the Relation of Reflective Thinking to the Educative Process5,349 cited
  • 2012Six rules for practice-led research52 cited
  • 2011Evolution of the exegesis: the radical trajectory of the creative writing doctorate in Australia40 cited
  • 2015COMPOSITION IS NOT RESEARCH39 cited
  • 2000A Question of Genre: de-mystifying the exegesis36 cited
  • 2004The Problem of the Exegesis in Creative Writing Higher Degrees32 cited
  • 2015COMPOSITION AND PERFORMANCE CAN BE, AND OFTEN HAVE BEEN, RESEARCH18 cited
  • 2016The performative exegesis12 cited
  • 1998Writing in the Dark: Exorcising the Exegesis12 cited
  • 2016Radicalising the scholarly paper: New forms for the traditional journal article11 cited

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