SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music
16 references·7 citing·26 second hop
Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music (2018)Form and the Large-Scale Connection: Moti…Johannes Brahms : a research and information guide (2011)Johannes Brahms : a research …Elements of Sonata Theory (2006)Elements of Sonata TheoryElements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of sonata theory : n…Classical Form (1998)Classical FormClassical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Classical form : a theory of …Cadential processes: The evaded cadence and the “one more time” technique (1992)Cadential processes: The evad…Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form (1991)Towards a Reconciliation of S…Haydn's 'Farewell' Symphony and the Idea of Classical Style (1991)Haydn's 'Farewell' Symphony a…The “expanded cadential progression”: A category for the analysis of classical form† (1987)The “expanded cadential progr…Brahms and the Principle of Developing Variation (1986)Brahms and the Principle of D…Brahms and the Principle of Developing Variation (1984)Brahms and the Principle of D…A Recurring Pattern in Mozart's "Music" (1983)A Recurring Pattern in Mozart…Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Schubert's Promissory Note: A…Harmony and Voice Leading (1982)Harmony and Voice LeadingHarmony and Voice-Leading (1980)Harmony and Voice-LeadingSchubert's Sonata Form and Brahms's First Maturity (II) (1979)Schubert's Sonata Form and Br…Rethinking Brahms (2022)Rethinking BrahmsSchubert's Bi‐rotational Sonata Forms: Developmental Function and the Type 1–2 Hybrid (2021)Schubert's Bi‐rotational Sona…Process and Pendulum in Schubert's Expanded Type 1 Sonatas (2021)Process and Pendulum in Schub…Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century (2021)Parallel Binary or Tripartite…Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century (2021)Apparent Type 2 Sonatas and R…Dvořák and Subordinate Theme Closure (2020)Dvořák and Subordinate Theme …The Romantic Overture and Musical Form from Rossini to Wagner. By Steven Vande Moortele (2019)The Romantic Overture and Mus…Fundamentals of Musical Composition (1968)Classic Music: Expression, Form, and Style (1981)Phrase Rhythm in Tonal Music (1991)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Harmony in Haydn and Mozart (2012)Emotion and Meaning in Music (1957)Emotion and Meaning in Music (1961)The Composer's Voice (1974)Music as Drama (1988)Extraordinary Measures (2011)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Form, Program, and Metaphor in the Music of Berlioz (2009)Action and Agency Revisited (2013)Schoenberg's Musical Imagination (2007)Music Theory and the White Racial Frame (2020)Liquidation, Augmentation, and Brahms's Recapitulatory Overlaps (1994)In Search of Romantic Form (2013)In the Process of Becoming: Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music (2013)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)Hugo Riemann and the Birth of Modern Musical Thought (2003)The Classical Cadence: Conceptions and Misconceptions (2004)Towards a generative syntax of tonal harmony (2011)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Atonality, Analysis, and the Intentional Fallacy (1996)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)
this work references cited by second hop

References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form529 cited
  • 1991Haydn's 'Farewell' Symphony and the Idea of Classical Style238 cited
  • 1982Harmony and Voice Leading225 cited
  • 1982Schubert's Promissory Note: An Exercise in Musical Hermeneutics220 cited
  • 1984Brahms and the Principle of Developing Variation189 cited
  • 1992Cadential processes: The evaded cadence and the “one more time” technique174 cited
  • 1991Towards a Reconciliation of Schenkerian Concepts with Traditional and Recent Theories of Form84 cited
  • 1979Schubert's Sonata Form and Brahms's First Maturity (II)82 cited
  • 1987The “expanded cadential progression”: A category for the analysis of classical form†75 cited
  • 1983A Recurring Pattern in Mozart's "Music"75 cited
  • 1986Brahms and the Principle of Developing Variation75 cited
  • 1980Harmony and Voice-Leading69 cited
  • 2011

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Johannes Brahms : a research and information guide
67 cited

Cited by

  • 2020Dvořák and Subordinate Theme Closure18 cited
  • 2021Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century16 cited
  • 2022Rethinking Brahms11 cited
  • 2019The Romantic Overture and Musical Form from Rossini to Wagner. By Steven Vande Moortele10 cited
  • 2021Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century8 cited
  • 2021Schubert's Bi‐rotational Sonata Forms: Developmental Function and the Type 1–2 Hybrid4 cited
  • 2021Process and Pendulum in Schubert's Expanded Type 1 Sonatas3 cited