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From Modality to Tonality: The Reformulation of Harmony and Structure in Seventeenth-Century Music
14 references·1 citing·29 second hop
From Modality to Tonality: The Reformulation of Harmony and Structure in Seventeenth-Century Music (2011)From Modality to Tonality: The Reformulat…A General History of Music, from the Earliest Ages to the Present Period (2018)A General History of Music, f…Bolognese Instrumental Music, 1660-1710 : Spiritual Comfort, Courtly Delight, and Commercial Triumph (2008)Bolognese Instrumental Music,…Baroque Music: Music in Western Europe, 1580–1750 (2005)Baroque Music: Music in Weste…The Oxford history of western music (2004)The Oxford history of western…Modal SubjectivitiesSelf-Fashioning in the Italian Madrigal (2004)Modal SubjectivitiesSelf-Fash…Music of the Baroque (2001)Music of the BaroqueArcangelo Corelli: new Orpheus of our times (2000)Arcangelo Corelli: new Orpheu…The classical style: Haydn, Mozart, Beethoven (1997)The classical style: Haydn, M…Studies on the Origin of Harmonic Tonality (1992)Studies on the Origin of Harm…Between Modes and Keys: German Theory 1592-1802 (1991)Between Modes and Keys: Germa…Treatise on Harmony (1973)Treatise on HarmonyThe practical harmonist at the harpsichord (1963)The practical harmonist at th…Tonality and Atonality in Sixteenth Century Music (1962)Tonality and Atonality in Six…Music in the Baroque Era from Monteverdi to Bach (1949)Music in the Baroque Era from…Of Two Arias and Nine Ragas: Analysing Monteverdi through a Karnatik Lens (2022)Of Two Arias and Nine Ragas: …Gendering Modern Music: Thoughts on the Monteverdi-Artusi Controversy (1993)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Music as Embodied Mathematics: A Study of a Mutually Informing Affinity (2003)Le Origini del Melodramma (2008)Defining the Term 'Absolute Music' Historically (2009)Musicking Bodies: Gesture and Voice in Hindustani Music (2012)Value Creation and Knowledge Loss: The Case of Cremonese Stringed Instruments (2012)Musical Creativity in Restoration England (2013)Theorizing Adaptation (2020)Classical and Romantic Performing Practice (2025)The Relationship Between Box Office and Repertoire: a Case Study of Opera (1977)The naturalization of Andean Christianities (2007)Tridentine worship and the cult of saints (2007)Modal Types and Ut, Re, Mi Tonalities: Tonal Coherence in Sacred Vocal Polyphony from about 1500 (1992)Music theory and mathematics (2002)A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition (2003)Cadential processes: The evaded cadence and the “one more time” technique (1992)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Switchings under uncertainty: The coming and becoming of meanings (2010)Epistemologies of music theory (2002)Hugo Riemann and the birth of modern musical thought (2004)Affective Resonance: On the Uses and Abuses of Music In and For Philosophy (2012)Mode and Structure in the Masses of Josquin (1973)False Relations and Chromaticism in Sixteenth-Century Music (1977)Pitch-class prevalence in plainchant, scale-degree consonance, and the origin of the rising leading tone (2019)Catholic church music in Italy, and the Spanish and Portuguese Empires (2009)A Sixteenth-Century Catalog of Prohibited Music (2009)'Se vedesti qui dentro': Monteverdi's 'O Mirtillo, Mirtillo anima mia' and Artusi's Offence (2013)Renaissance Polyphony (2020)
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References

  • 1997The classical style: Haydn, Mozart, Beethoven428 cited
  • 2018A General History of Music, from the Earliest Ages to the Present Period329 cited
  • 2004The Oxford history of western music197 cited
  • 2004Modal SubjectivitiesSelf-Fashioning in the Italian Madrigal119 cited
  • 1949Music in the Baroque Era from Monteverdi to Bach113 cited
  • 1973Treatise on Harmony104 cited
  • 1992Studies on the Origin of Harmonic Tonality63 cited
  • 1991Between Modes and Keys: German Theory 1592-180253 cited
  • 1962Tonality and Atonality in Sixteenth Century Music35 cited
  • 2005Baroque Music: Music in Western Europe, 1580–175020 cited
  • 2001Music of the Baroque18 cited
  • 2008Bolognese Instrumental Music, 1660-1710 : Spiritual Comfort, Courtly Delight, and Commercial Triumph12 cited
  • 2000Arcangelo Corelli: new Orpheus of our times11 cited
  • 1963The practical harmonist at the harpsichord7 cited

Cited by

  • 2022Of Two Arias and Nine Ragas: Analysing Monteverdi through a Karnatik Lens2 cited

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