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Sonic Diegesis: Reality and the Expressive Potential of Sound in Narrative Film
16 references·0 citing·26 second hop
Sonic Diegesis: Reality and the Expressive Potential of Sound in Narrative Film (2019)Sonic Diegesis: Reality and the Expressiv…Beyond the Soundtrack (2019)Beyond the SoundtrackThe Oxford Handbook of New Audiovisual Aesthetics (2013)The Oxford Handbook of New Au…The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)The Non-diegetic Fallacy: Fil…Beyond the soundtrack: representing music in cinema (2008)Beyond the soundtrack: repres…The Perception of the Environment (2002)The Perception of the Environ…Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (2000)Hearing Film: Tracking Identi…Analysing Musical Multimedia (1998)Analysing Musical MultimediaReal-World Music as Composed Listening (1996)Real-World Music as Composed …Post-theory: reconstructing film studies (1996)Post-theory: reconstructing f…Audio-vision: sound on screen (1994)Audio-vision: sound on screenInterpreting Films: Studies in the Historical Reception of American Cinema. (1993)Interpreting Films: Studies i…Unheard melodies: narrative film music (1988)Unheard melodies: narrative f…Spectro-morphology and Structuring Processes (1986)Spectro-morphology and Struct…Film sound: Theory and practice (1985)Film sound: Theory and practi…Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Schubert's Promissory Note: A…Language and Cinema (1974)Language and CinemaDialectic of enlightenment : philosophical fragments (2002)Musical Wallpaper? (2012)Narration in the Fiction Film (2013)The End of Diegesis As We Know It? (2013)Understanding Video Game Music (2016)Phénoménologie de la perception (1976)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses (2013)Cultural Constraints on Grammar and Cognition in Pirahã (2005)Editorial: Mobilities, Immobilities and Moorings (2006)INDIGENOUS COSMOPOLITICS IN THE ANDES: Conceptual Reflections beyond “Politics” (2010)Educating the eye? Kress and Van Leeuwen’s Reading Images: The Grammar of Visual Design (1996) (1999)Transportation Across Media: Repeated Exposure to Print and Film (2008)What's the Point of an Index? or, Faking Photographs (2008)Theorizing Musical Meaning (2001)Music—Drastic or Gnostic? (2004)Metaphor in Pictures and Multimodal Representations (2008)Diegetic/Nondiegetic: A Theoretical Model (2009)Perceptual judgement of the relationship between musical and visual components in film. (1994)Reforming "Jackass Music": The Problematic Aesthetics of Early American Film Music Accompaniment (1997)The Vibrations of Affect and their Propagation on a Night Out on Kingston’s Dancehall Scene (2010)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)Multimodality, resemiotization: extending the analysis of discourse as multi-semiotic practice (2003)Sympathy and Empathy: Emotional Responses to Advertising Dramas (2003)
this work references cited by second hop

References

  • 2002The Perception of the Environment4,925 cited
  • 1994Audio-vision: sound on screen1,584 cited
  • 1988Unheard melodies: narrative film music1,046 cited
  • 1974Language and Cinema580 cited
  • 1998Analysing Musical Multimedia561 cited
  • 1985Film sound: Theory and practice381 cited
  • 1996Post-theory: reconstructing film studies351 cited
  • 2000Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music329 cited
  • 2008Beyond the soundtrack: representing music in cinema314 cited
  • 2010The Non-diegetic Fallacy: Film, Music, and Narrative Space289 cited
  • 1986Spectro-morphology and Structuring Processes279 cited
  • 1993Interpreting Films: Studies in the Historical Reception of American Cinema.248 cited
  • 2013The Oxford Handbook of New Audiovisual Aesthetics226 cited
  • 1982Schubert's Promissory Note: An Exercise in Musical Hermeneutics220 cited
  • 2019Beyond the Soundtrack60 cited
  • 1996Real-World Music as Composed Listening55 cited

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