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Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music
16 references·0 citing·46 second hop
Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music (2020)Popular Music as Entertainment Communicat…Why the Next Song Matters: Streaming, Recommendation, Scarcity (2018)Why the Next Song Matters: St…Can personality traits predict musical style preferences? A meta-analysis (2017)Can personality traits predic…The Song Is You (2016)The Song Is YouMusic classification, genres, and taste patterns: A ground-up network analysis on the clustering of artist preferences (2016)Music classification, genres,…Follow the algorithm: An exploratory investigation of music on YouTube (2016)Follow the algorithm: An expl…From Mood to Meaning: The Changing Model of the User in Entertainment Research (2015)From Mood to Meaning: The Cha…Discourses of unity and purpose in the sounds of fascist music: a multimodal approach (2012)Discourses of unity and purpo…Entertainment as Pleasurable and Meaningful: Identifying Hedonic and Eudaimonic Motivations for Entertainment Consumption (2011)Entertainment as Pleasurable …Evaluating Goodness-of-Fit Indexes for Testing Measurement Invariance (2002)Evaluating Goodness-of-Fit In…Music Lovers (2001)Music LoversPerforming rites: on the value of popular music (1997)Performing rites: on the valu…Performing Rites (1996)Performing RitesUnderstanding audience segmentation: From elite and mass to omnivore and univore (1992)Understanding audience segmen…The Elaboration Likelihood Model of Persuasion (1986)The Elaboration Likelihood Mo…The Elaboration Likelihood Model of Persuasion (1986)The Elaboration Likelihood Mo…The Conceptual Framework of Psychology (1954)The Conceptual Framework of P…A Theory of Cognitive Dissonance (1957)Belief, Attitude, Intention and Behavior: An Introduction to Theory and Research (1975)Understanding Attitudes and Predicting Social Behavior (1980)The Persuasion Knowledge Model: How People Cope with Persuasion Attempts (1994)Communication and Persuasion: Central and Peripheral Routes to Attitude Change (2015)Using social and behavioural science to support COVID-19 pandemic response (2020)The Act of Reading: A Theory of Aesthetic Response (1979)On Qualculation, Agency, and Otherness (2005)Actor Network Theory and Material Semiotics (2008)What Is a Good Tomato? 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(2000)Psychology of Entertainment (2013)Reinforcing Spirals Model: Conceptualizing the Relationship Between Media Content Exposure and the Development and Maintenance of Attitudes (2014)The Lens of Intrinsic Skill Atoms: A Method for Gameful Design (2015)Why Do People Regulate Their Emotions? A Taxonomy of Motives in Emotion Regulation (2015)A circumplex model of affect. (1980)Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)Development and validation of brief measures of positive and negative affect: The PANAS scales. (1988)Personality, uses of music, and music preference: The influence of openness to experience and extraversion (2016)Music-induced analgesia: how does music relieve pain? (2018)Telling more than we can know: Verbal reports on mental processes. (1977)Feeling and thinking: Preferences need no inferences. (1980)Attitudes, Traits, and Actions: Dispositional Prediction of Behavior in Personality and Social Psychology (1987)Scepticism and uncertainty about climate change: Dimensions, determinants and change over time (2011)This Just In: Fake News Packs A Lot In Title, Uses Simpler, Repetitive Content in Text Body, More Similar To Satire Than Real News (2017)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)The Psychology of Interpersonal Relations. (1958)Validity and Reliability of the Experience-Sampling Method (1987)The evolution of human mating: Trade-offs and strategic pluralism (2000)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)
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References

  • 2002Evaluating Goodness-of-Fit Indexes for Testing Measurement Invariance16,246 cited
  • 1986The Elaboration Likelihood Model of Persuasion8,811 cited
  • 1986The Elaboration Likelihood Model of Persuasion3,202 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1992Understanding audience segmentation: From elite and mass to omnivore and univore1,183 cited
  • 1996Performing Rites1,123 cited
  • 1954The Conceptual Framework of Psychology1,042 cited
  • 2011Entertainment as Pleasurable and Meaningful: Identifying Hedonic and Eudaimonic Motivations for Entertainment Consumption723 cited
  • 2001Music Lovers315 cited
  • 2016The Song Is You154 cited
  • 2016Follow the algorithm: An exploratory investigation of music on YouTube146 cited
  • 2017Can personality traits predict musical style preferences? A meta-analysis125 cited
  • 2015From Mood to Meaning: The Changing Model of the User in Entertainment Research117 cited
  • 2018Why the Next Song Matters: Streaming, Recommendation, Scarcity115 cited
  • 2012Discourses of unity and purpose in the sounds of fascist music: a multimodal approach73 cited

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2016
Music classification, genres, and taste patterns: A ground-up network analysis on the clustering of artist preferences
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