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The Enigma of Entropy in Extended Tonality
16 references·0 citing·25 second hop
The Enigma of Entropy in Extended Tonality (2020)The Enigma of Entropy in Extended TonalityCybernetics and the Philosophy of Mind (2014)Cybernetics and the Philosoph…The Persistence of the Negative (2010)The Persistence of the Negati…Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool (2008)Musical Style, Psychoaestheti…The Atonal Music of Arnold Schoenberg 1908–1923 (2000)The Atonal Music of Arnold Sc…Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents (1994)Harmonic Function in Chromati…On the Entropy of Music: An Experiment with Bach Chorale Melodies (1992)On the Entropy of Music: An E…Aspects of Schenkerian Theory (1985)Aspects of Schenkerian TheoryAspects of Schenkerian Theory (1984)Aspects of Schenkerian TheoryEntropy as a Measure of Style: The Influence of Sample Length (1983)Entropy as a Measure of Style…The Writings of Robert Smithson (1980)The Writings of Robert Smiths…Dissonant Prolongation: Theoretical and Compositional Precedents (1976)Dissonant Prolongation: Theor…The Structure of Atonal Music (1974)The Structure of Atonal MusicThe Structure of Atonal Music (1973)The Structure of Atonal MusicStyle as Information (1958)Style as InformationNature of the Physical World (1958)Nature of the Physical WorldMEANING IN MUSIC AND INFORMATION THEORY (1957)MEANING IN MUSIC AND INFORMAT…Chromatic Transformations in Nineteenth-Century Music (2002)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Hugo Riemann and the birth of modern musical thought (2004)The Reconstruction of Religious Thought in Islam (1930)The Hero with a Thousand Faces (1949)Contemporary debates in epistemology (2005)Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music (2007)M eyer's Anvil: Revisiting the Schema Concept (2012)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms (2006)Tonal Hierarchies in Jazz Improvisation (1995)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Intentionality and information processing: An alternative model for cognitive science (1986)Socratic Epistemology: Explorations of Knowledge-Seeking by Questioning (2007)Against digital ontology (2008)On the Moods of a Music-Logic (1960)Social Interaction and Musical Preference (1982)Enacting Musical Time (2019)Frustrated sovereigns: the agency that makes the world go around (2018)Affirmative Ethics and Generative Life (2019)Beyond capitalist enclosure, commodification and alienation: Postcapitalist praxis as commons, social production and useful doing (2019)Fuzzy Extensions to the Theory of Contour (1997)Music and cognitive evolution (2012)
this work references cited by second hop

References

  • 1958Nature of the Physical World794 cited
  • 1973The Structure of Atonal Music501 cited
  • 1957MEANING IN MUSIC AND INFORMATION THEORY243 cited
  • 2010The Persistence of the Negative170 cited
  • 1974The Structure of Atonal Music161 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 1983Entropy as a Measure of Style: The Influence of Sample Length133 cited
  • 1958Style as Information125 cited
  • 1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
  • 2014Cybernetics and the Philosophy of Mind113 cited
  • 2000The Atonal Music of Arnold Schoenberg 1908–1923106 cited
  • 1980The Writings of Robert Smithson84 cited
  • 1992On the Entropy of Music: An Experiment with Bach Chorale Melodies66 cited
  • 2008Musical Style, Psychoaesthetics, and Prospects for Entropy as an Analytic Tool55 cited
  • 1984Aspects of Schenkerian Theory53 cited
  • 1985Aspects of Schenkerian Theory48 cited

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