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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2006Elements of Sonata Theory644 cited
  • 2006Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata562 cited
  • 1998Classical Form529 cited
  • 1991Phrase Rhythm in Tonal Music479 cited
  • 2007Music in the Galant Style432 cited
  • 2004The Classical Cadence: Conceptions and Misconceptions299 cited
  • 1994Music Analysis in the Nineteenth Century201 cited
  • 1992Cadential processes: The evaded cadence and the “one more time” technique174 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
  • 1986Tonal Harmony, with an Introduction to Twentieth-Century Music137 cited
  • 2013Analyzing Classical Form: An Approach for the Classroom123 cited
  • 1979Form in Tonal Music: An Introduction to Analysis103 cited
  • 2003The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening103 cited

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  • 1999Harmonic Practice in Tonal Music101 cited
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