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The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1981The New Grove Dictionary of Music and Musicians1,234 cited
  • 2002The Cambridge History of Western Music Theory449 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 1982Harmony and Voice Leading225 cited
  • 2005Music theory in the age of Romanticism211 cited
  • 2012A geometry of music: harmony and counterpoint in the extended common practice204 cited
  • 1997The Second Practice of Nineteenth-Century Tonality180 cited
  • 1994Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents154 cited
  • 2011Tonality and Transformation140 cited
  • 1987Liszt's Experimental Idiom and Music of the Early Twentieth Century104 cited
  • 2002Tonality90 cited
  • 2011Tonality and transformation79 cited
  • 1984Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B

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