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Bass-line articulations of the Urlinie
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Bass-line articulations of the Urlinie (1999)Bass-line articulations of the UrlinieTonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 12 (2015)Tonality and Mutability in Ra…The Interruption-Fill and Corollary Procedures (2012)The Interruption-Fill and Cor…On Voice Exchanges (2009)On Voice ExchangesBach's Partita No. 1 inB♭, BWV825: Schenker's Unpublished Sketches with Commentary and Alternative Readings (2008)Bach's Partita No. 1 inB♭, BW…Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Schenkerian Theory in the Uni…Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Elements of Sonata Theory (2006)Romantic Periods (2021): Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster. (1981)Phrase Rhythm in Tonal Music (1991)Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction (1999)Chopin: Pianist and Teacher as Seen by His Pupils (1987)On Implied Tones (1991): A Guide to Schenkerian Analysis . David Neumeyer, Susan Tepping. (1993)Definitions of "Chord" in the Teaching of Tonal Harmony (2013)Defining Russia Musically (1997)The New Grove dictionary of music and musicians (2001)The Classical Cadence: Conceptions and Misconceptions (2004)Yuri Kholopov and Twelve-Toneness (2020)Structural Hearing; Tonal Coherence in Music (1953)Musical Form and Musical Performance (1969)Journal of Music Theoryunder Allen Forte's Editorship (2006)
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  • 2009On Voice Exchanges11 cited
  • 2012The Interruption-Fill and Corollary Procedures7 cited
  • 2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited
  • 2008Bach's Partita No. 1 inB♭, BWV825: Schenker's Unpublished Sketches with Commentary and Alternative Readings4 cited
  • 2015Tonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 124 cited

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