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Listening through the noise: the aesthetics of experimental electronic music
0 references·15 citing·40 second hop
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  • 2016The Sounds of Climate Change: Sonic Rhetoric in the Anthropocene, the Age of Human Impact68 cited
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  • 2019Sound Design is the New Score61 cited
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  • 2021The Oxford Handbook of Cinematic Listening52 cited
  • 2016Sound-based Brutalism: An emergent aesthetic46 cited
  • 2014Listening genres: The emergence of relevance structures through the reception of sound41 cited
  • 2022Turn On, Tune In, Drift Off11 cited
  • 2014Autechre and Electronic Music Fandom: Performing Knowledge Online through Techno-Geek Discourses10 cited
  • 2020The Composition of Success: Competition and the Creative Self in Contemporary Art Music10 cited
  • 2019A Scene Without A Name: Indie Classical and American New Music in the Twenty-First Century7 cited
  • 2017Hip-Hop Headphones: A Scholar’s Critical Playlist (James B. Peterson)5 cited
  • 2015A Cross-genre Study of the (Ec)Static Perspective of Today’s Music5 cited
  • 2018Protentions and Retentions of Xenakis and Cage: Nonhuman Actors, Genre and Time in Microsound4 cited
  • 2017

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Unsettling Brian Eno'sMusic for Airports
3 cited