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Onset and Contiguity
16 references·0 citing·42 second hop
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References

  • 2007Music in the Galant Style432 cited
  • 2001Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles366 cited
  • 2020Music Theory and the White Racial Frame359 cited
  • 2001Syntax231 cited
  • 2015Schema Theory as a Construction Grammar104 cited
  • 1959Schenker's Conception of Musical Structure94 cited
  • 1997Fuzzy Extensions to the Theory of Contour68 cited
  • 2011Composition, Perception, and Schenkerian Theory59 cited
  • 1980A Computer Aid for Schenkerian Analysis50 cited
  • 2018Gjerdingen’s Schemata Reexamined46 cited
  • 2019Implicit Counterpoint in Gjerdingen's Schemata29 cited
  • 2020Hidden Polyphony, Linear Hierarchy, and Scale-Degree Associations in Galant Schemata23 cited
  • 2004Associative Sets, Categories, and Music Analysis22 cited
  • 2017A Cognitively Inspired Method for the Statistical Analysis of Eighteenth-Century Music, as Applied in Two Corpus Studies7 cited
  • 2016Contour Recursion and Auto-Segmentation6 cited
  • 2020“Bold and Ragged”: A Cross-Cultural Case for the Aesthetics of Melodic Angularity

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