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A presentation set of 19th and 20th century photographic processes from the Art Gallery of Ontario's Harris study collection
14 references·0 citing·35 second hop
A presentation set of 19th and 20th century photographic processes from the Art Gallery of Ontario's Harris study collection (2021)A presentation set of 19th and 20th centu…Design and materials for photographic housing (2021)Design and materials for phot…Museums and the Interpretation of Visual Culture (2020)Museums and the Interpretatio…Photography: A Critical Introduction (2015)Photography: A Critical Intro…When the Object is Digital: properties of digital surrogate objects and implications for learning (2013)When the Object is Digital: p…Touch in Museums: Policy and Practice in Object Handling (2008)Touch in Museums: Policy and …Encyclopedia of Nineteenth-Century Photography (2008)Encyclopedia of Nineteenth-Ce…In principle, in practice: museums as learning institutions (2007)In principle, in practice: mu…Objects of Learning, Objects of Talk: Changing Minds in Museums (2002)Objects of Learning, Objects …Photospeak: A Guide to the Ideas, Movements, and Techniques of Photography, 1839 to the Present (1998)Photospeak: A Guide to the Id…Exhibit Labels: An Interpretive Approach (1996)Exhibit Labels: An Interpreti…The Educational Role of the Museum (1994)The Educational Role of the M…Hands‐on or Hands‐off? The Management of Collections and Museum Education (1990)Hands‐on or Hands‐off? The Ma…Care and identification of 19th century photographic prints (1986)Care and identification of 19…A guide to early photographic processes (1983)A guide to early photographic…Encyclopedia of Twentieth-Century Photography, 3-Volume Set (2005)Encyclopedia of twentieth-century photography (2006)De Meyer atVogue: Commercializing Queer Affect in First World War-era Fashion Photography (2009)“Un souvenir de los paisajes submarinos”: la fotografía subacuática y los límites de la visibilidad fotográfica, 1890-1910 (2014)Highly Photosensitive Daguerreotypes and their Reproduction: Physico‐chemical Elucidation of Innovative Processes in Photography Developed around 1840 in Vienna (2019)Perspectives on socially shared cognition. (1991)Learning from Examples: Instructional Principles from the Worked Examples Research (2000)Learning from Museums: Visitor Experiences and the Making of Meaning (2000)Toward an agenda for advancing research on science learning in out‐of‐school settings (2003)Cultural consumption, interactive sociality, and the museum (2013)Understanding and Engagement in Places of Science Experience: Science Museums, Science Centers, Zoos, and Aquariums (2014)Auschwitz: Museum Interpretation and Darker Tourism (2002)Visual essentialism and the object of visual culture (2003)The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space (2005)Images of Recovery: A Photo-Elicitation Study on the Hospital Ward (2003)The Social Construction of Events: A Study of Institutional Change in the Photographic Field (2005)Code/Space (2011)The practical application of air-path X-ray fluorescence spectrometry in the analysis of museum objects (2005)Physico-chemical characterization and conservation issues of photographs dated between 1890 and 1910 (2008)An analytical study on an early twentieth-century Italian photographs collection by means of microscopic and spectroscopic techniques (2014)Exhibiting Interaction: Conduct and Collaboration in Museums and Galleries (2001)Beyond Learning: Exploring Visitors' Perceptions of the Value and Benefits of Museum Experiences (2008)Museums, Equality and Social Justice (2013)From Knowledge to Narrative: Educators and the Changing Museum (1998)Designs for learning: Studying science museum exhibits that do more than entertain (2004)Using the contextual model of learning to understand visitor learning from a science center exhibition (2005)The early history of clinical photography for burns, plastic and reconstructive surgery (1985)Preservation of 19th-Century Negatives in the National Archives (1991)"One More Picture": Robert Browning's Optical Unconscious (2006)Multisensory design: Reaching out to touch the consumer (2011)Museums and art galleries as partners for public health interventions (2013)Digital Sensory Marketing: Integrating New Technologies into Multisensory Online Experience (2018)Enhancing building, conversation, and learning through caregiver–child interactions in a children’s museum. (2010)Using augmented reality and knowledge-building scaffolds to improve learning in a science museum (2012)Conversation and Object Manipulation Influence Children's Learning in a Museum (2014)
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References

  • 2020Museums and the Interpretation of Visual Culture841 cited
  • 1994The Educational Role of the Museum464 cited
  • 2015Photography: A Critical Introduction438 cited
  • 1996Exhibit Labels: An Interpretive Approach253 cited
  • 2008Touch in Museums: Policy and Practice in Object Handling206 cited
  • 2007In principle, in practice: museums as learning institutions188 cited
  • 1986Care and identification of 19th century photographic prints88 cited
  • 2002Objects of Learning, Objects of Talk: Changing Minds in Museums87 cited
  • 2008Encyclopedia of Nineteenth-Century Photography81 cited
  • 1983A guide to early photographic processes29 cited
  • 2013When the Object is Digital: properties of digital surrogate objects and implications for learning24 cited
  • 2021Design and materials for photographic housing16 cited
  • 1998Photospeak: A Guide to the Ideas, Movements, and Techniques of Photography, 1839 to the Present16 cited
  • 1990Hands‐on or Hands‐off? The Management of Collections and Museum Education3 cited

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