Early responses to Renaissance drama

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Renaissance Literature and Culture Theatre and Performance Studies Shakespeare, Adaptation, and Literary Criticism

Abstract

List of illustrations Acknowledgments Introduction Part I. Tamburlaine, Sir John, and the Formation of Early Modern Reception: 1. Tamburlaine intervenes 2. Versions of Sir John Part II. Audiences Entertaining Plays: 3. Playgoers in the Theatrum Mundi to 1617 4. Common understanders 5. Playgoing and play-reading gentlewomen 6. Jonson and Shakespeare: living monuments and public spheres Notes Bibliography Index.

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2016Selling Shakespeare: Biography, Bibliography, and the Book Trade 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre 2015Clowning and authorship in early modern theatre 2010Shakespeare's Richard II, "Popularity," and the Early Modern Public Sphere 2013Marlowe and the Elizabethan theatre audience 2012Shakespeare's New Words 2017Shakespeare, Popularity and the Public Sphere 2014Making and unmaking in early modern English drama: Spectators, aesthetics and incompletion

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