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Early responses to Renaissance drama
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Early responses to Renaissance drama (2007)Early responses to Renaissance dramaTheatre and the English Public from Reformation to Revolution (2018)Theatre and the English Publi…Richard Jones,Tamburlaine the Great,and the Making (and Remaking) of a Serial Play Collection in the 1590s (2018)Richard Jones,Tamburlaine the…Marlowe in Miniature:Dido, Queen of Carthageand the Children of the Chapel Repertory (2018)Marlowe in Miniature:Dido, Qu…Gaming the Stage (2018)Gaming the StageAlarums:Edward IIand the Staging of History (2018)Alarums:Edward IIand the Stag…Shakespeare, Popularity and the Public Sphere (2017)Shakespeare, Popularity and t…Selling Shakespeare: Biography, Bibliography, and the Book Trade (2016)Selling Shakespeare: Biograph…‘The Lady Shall Say Her Mind Freely’: Shakespeare and the S/Pace of Blank Verse (2016)‘The Lady Shall Say Her Mind …Hamlet, Henry VIII, and the question of religion: a post-secular perspective (2015)Hamlet, Henry VIII, and the q…Clowning and authorship in early modern theatre (2015)Clowning and authorship in ea…Making and unmaking in early modern English drama: Spectators, aesthetics and incompletion (2014)Making and unmaking in early …Making and unmaking in early modern English drama (2014)Making and unmaking in early …Marlowe and the Elizabethan theatre audience (2013)Marlowe and the Elizabethan t…Shakespeare's New Words (2012)Shakespeare's New WordsShakespeare's Richard II, "Popularity," and the Early Modern Public Sphere (2010)Shakespeare's Richard II, "Po…Shakespeare and the power of performance: stage and page in the Elizabethan theatre (2009)Shakespeare and the power of …Playgoing in Shakespeare's London. (1988)The Cambridge Companion to Christopher Marlowe (2004)The Norton Anthology of English Literature (2017)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Nationalism: Five Roads to Modernity. (1994)Publics and counterpublics (2003)Measure for Measureand the Problem of Popularity (2012)“Unlawfully published”: Libels and the Public Sphere in Titus Andronicus (2016)Image-Music-Text (1977)Language, Counter-Memory, Practice: Selected Essays and Interviews (1978)The Field of Cultural Production: Essays on Art and Literature (1996)Work and the Reader in Literary Studies: Scholarly Editing and Book History (2019)Making Milton (2021)The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Four Essays (1982)Rabelais and his world (2020)The Theory of Social and Economic Organization. (1948)The Human Condition (1998)The Tyrant’s Vein: Misrule and Popularity in the Elizabethan Playhouse (2020)Papermaking: The History and Technique of An Ancient Craft (1943)“STUDIED FOR ACTION”: HOW GABRIEL HARVEY READ HIS LIVY (1990)The acoustic world of early modern England: attending to the O-factor (1999)Renaissance Self-Fashioning from More to Shakespeare (1982)The malaise of modernity (1991)Theology and Social Theory beyond Secular Reason (1993)Minima Moralia: Reflections from Damaged Life (1951)Keywords: A Vocabulary of Culture and Society (1977)Paratexts: Thresholds of Interpretation (1997)For a Critique of the Political Economy of the Sign (1980)The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early-Modern Europe (1985)The Semiotics of Theatre and Drama (2003)Editing for Performance or Documenting Performance?: Exploring the Relationship Between Early Modern Text and Clowning (2016)The Presentation of Self in Everyday Life. (1956)Gender Trouble: Feminism and the Subversion of Identity (1991)The Mediation of Poesie: Ophelia’s Orphic Song (2012)Performing Disability and Theorizing Deformity (2013)Shakespeare Performance Studies (2017)
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  • 2016Selling Shakespeare: Biography, Bibliography, and the Book Trade69 cited
  • 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre35 cited
  • 2015Clowning and authorship in early modern theatre32 cited
  • 2010Shakespeare's Richard II, "Popularity," and the Early Modern Public Sphere27 cited
  • 2013Marlowe and the Elizabethan theatre audience25 cited
  • 2012Shakespeare's New Words19 cited
  • 2017Shakespeare, Popularity and the Public Sphere19 cited
  • 2014Making and unmaking in early modern English drama: Spectators, aesthetics and incompletion17 cited
  • 2018Alarums:Edward IIand the Staging of History15 cited
  • 2015Hamlet, Henry VIII, and the question of religion: a post-secular perspective15 cited
  • 2016‘The Lady Shall Say Her Mind Freely’: Shakespeare and the S/Pace of Blank Verse13 cited
  • 2014Making and unmaking in early modern English drama12 cited
  • 2018Richard Jones,Tamburlaine the Great,and the Making (and Remaking) of a Serial Play Collection in the 1590s12 cited
  • 2018Marlowe in Miniature:Dido, Queen of Carthageand the Children of the Chapel Repertory12 cited

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2018
Gaming the Stage
9 cited
  • 2018Theatre and the English Public from Reformation to Revolution7 cited