SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Commedia Dell'Arte: A Documentary History
0 references·16 citing·39 second hop
The Commedia Dell'Arte: A Documentary History (1990)The Commedia Dell'Arte: A Documentary His…The Use of Dialects and Foreign Languages in Shakespeare’sKing Henry V—Characteristics of the Fool Explored (2019)The Use of Dialects and Forei…Doubting the Divine in Early Modern Europe: The Revival of Momus, the Agnostic God (2019)Doubting the Divine in Early …Stage and Picture in the English Renaissance: The Mirror up to Nature (2017)Stage and Picture in the Engl…The Traveling Diva and Generic Innovation (2016)The Traveling Diva and Generi…So much theory, so little practice: a literature review of workplace improvisation training (2016)So much theory, so little pra…Poverty and Charity in Early Modern Theater and Performance (2015)Poverty and Charity in Early …Actors and Acting in Shakespeare's Time: The Art of Stage Playing (2010)Actors and Acting in Shakespe…ELOQUENT ACTION: THE BODY AND MEANING IN EARLY COMMEDIA DELL'ARTE (2009)ELOQUENT ACTION: THE BODY AND…Back to the Future: A Review of Twentieth-Century Commedia-Shakespeare Studies (2008)Back to the Future: A Review …Women and English Renaissance Drama: Making and Unmaking ‘The All‐Male Stage’ (2007)Women and English Renaissance…The stagecraft and performance of Roman comedy (2007)The stagecraft and performanc…Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte (2004)Three Modes of Perception in …The comic mode (2004)The comic modeCommedia dell'Arte: characters, scenarios, and rhetoric (2004)Commedia dell'Arte: character…Writer and society in the new Italy (1997)Writer and society in the new…The Italian Mountebank and the Commedia dell'Arte (1997)The Italian Mountebank and th…The Empty Space (1968)Cultural Literacy: What Every American Needs to Know (1987)Ancient Greek Music (1992)When Did the Tibicen Play?: Meter and Musical Accompaniment in Roman Comedy (2008)Laughing Awry (2015)Linguistic Interaction in Roman Comedy (2016)The Jacobean and Caroline Stage (1957)Impersonations: the performance of gender in Shakespeare's England (1997)Women on the Renaissance stage : Anna of Denmark and female masquing in the Stuart court (1590-1619) (2002)A Grammar of Motives (1969)A New history of early English drama (1997)Humoring the Body (2004)Anatomy of Criticism (1957)Anatomy of Criticism: Four Essays (1959)Sincerity and Authenticity (1972)Shakespeare's Clown (1987)Adam Fox. Oral and Literate Culture in England 1500-1700. (Oxford Studies in Social History.) New York: Oxford University Press. 2000. Pp. xiii, 497. $74.00. ISBN 0-19-820512-0. (2002)The Light in Troy: Imitation and Discovery in Renaissance Poetry (1985)The Historical Anthropology of Early Modern Italy: Essays on Perception and Communication (1988):The Historical Anthropology of Early Modern Italy: Essays on Perception and Communication (1989)The Nature of Managerial Work (1974)The Collapse of Sensemaking in Organizations: The Mann Gulch Disaster (1993)Organizational Improvisation and Learning: A Field Study (2001)‘Whose Line Is It Anyway?’ Using Improvisation to Hone Library Employees’ Customer Service Skills (2020)Improvisação organizacional: desafios e perspectivas para o ensino-aprendizagem em administração (2021)Fostering psychological safety: Using improvisation as a team building tool in management education (2022)The Other America. Poverty in the United States (1964)The Cheese and the Worms. The Cosmos of a Sixteenth Century Miller (1969):Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (1989)European Literature and the Latin Middle Ages (1956)The dramaturgy of opera (2012)Betting Against Themselves: Conflicting Conceptions of Love in Così fan tutte, o: la scola degli amanti (2015)Galant Recitative Schemas (2015)The Player's Passion: Studies in the Science of Acting (1986)Worlds within Worlds (1989)The Riverside Shakespeare (1999)Rehearsal: The Pleasures of the Flesh (2012)Shakespeare and the Visual Imagination (2015)The Distribution and Ordering of Speeches and Shakespearean Revision (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2007The stagecraft and performance of Roman comedy100 cited
  • 2016So much theory, so little practice: a literature review of workplace improvisation training42 cited
  • 2010Actors and Acting in Shakespeare's Time: The Art of Stage Playing28 cited
  • 2007Women and English Renaissance Drama: Making and Unmaking ‘The All‐Male Stage’9 cited
  • 1997The Italian Mountebank and the Commedia dell'Arte9 cited
  • 2009ELOQUENT ACTION: THE BODY AND MEANING IN EARLY COMMEDIA DELL'ARTE8 cited
  • 2004Commedia dell'Arte: characters, scenarios, and rhetoric8 cited
  • 2004Three Modes of Perception in Mozart: The Philosophical, Pastoral, and Comic in Cosí fan tutte7 cited
  • 2004The comic mode6 cited
  • 2015Poverty and Charity in Early Modern Theater and Performance5 cited
  • 2016The Traveling Diva and Generic Innovation5 cited
  • 2019Doubting the Divine in Early Modern Europe: The Revival of Momus, the Agnostic God4 cited
  • 2008Back to the Future: A Review of Twentieth-Century Commedia-Shakespeare Studies3 cited
  • 2017Stage and Picture in the English Renaissance: The Mirror up to Nature3 cited
  • 2019

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

The Use of Dialects and Foreign Languages in Shakespeare’sKing Henry V—Characteristics of the Fool Explored
3 cited
  • 1997Writer and society in the new Italy2 cited