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Whose value is it anyway? A neo-institutionalist approach to articulating and evaluating artistic value
16 references·6 citing·38 second hop
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References

  • 1992The balanced scorecard : measures that drive performance12,082 cited
  • 1996Qualitative Interviewing: The Art of Hearing Data11,180 cited
  • 1982Hedonic Consumption: Emerging Concepts, Methods and Propositions5,610 cited
  • 2002Why business models matter.2,977 cited
  • 1999The experience economy: work is theatre & every business a stage2,681 cited
  • 2011Value co-creation in service logic: A critical analysis1,592 cited
  • 1999Consumer Value: A Framework for Analysis and Research1,527 cited
  • 2000Economics and Culture1,326 cited
  • 2019The Cultural Industries1,153 cited
  • 1999Exploiting the virtual value chain1,059 cited
  • 1988The flow experience and its significance for human psychology1,037 cited
  • 2003The Semiotics of Theatre and Drama802 cited
  • 2009Neoliberalism: From New Liberal Philosophy to Anti-Liberal Slogan615 cited
  • 2003Firing Back: Against the Tyranny of the Market 2542 cited
  • 2007Management and creativity : from creative industries to creative management436 cited
  • 1980The Semiotics of Theatre and Drama

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417 cited

Cited by

  • 2020Guest editorial19 cited
  • 2023Creative industries spatial policy in the United Kingdom, 1995–present12 cited
  • 2020Culture 2025A National Cultural Policy Framework for Ireland11 cited
  • 2025XR stories as innovation and cultural intermediary for the creative industries3 cited
  • 2019Mission-driven arts organisations and initiatives3 cited
  • 2023Exploring the Affective and Spatial Politics of Choral Music Performance through Focus Groups with Singers2 cited