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Atonal prolongational structure
11 references·16 citing·26 second hop
Atonal prolongational structure (1989)Atonal prolongational structureViennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg (1989)Viennese Harmonic Theory from…The Problem of Prolongation in Post-Tonal Music (1987)The Problem of Prolongation i…Basic atonal theory (1980)Basic atonal theoryTheory of Harmony (1978)Theory of HarmonyThe Structure of Atonal Music (1974)The Structure of Atonal MusicThe Structure of Atonal Music (1974)The Structure of Atonal MusicThe Structure of Atonal Music (1973)The Structure of Atonal MusicExplaining Music (1973)Explaining MusicStructural Functions of Harmony (1969)Structural Functions of Harmo…Perspectives of New Music (1963)Perspectives of New MusicStructural functions of harmony (1954)Structural functions of harmo…Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function (2019)Schoenberg's Atonal Music: Mu…Schoenberg's Atonal Music (2019)Schoenberg's Atonal MusicInventing Tradition: Webern's Piano Variations in Early Recordings (2017)Inventing Tradition: Webern's…Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis (2016)Time‐Space Experience in Work…Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching (2015)Schoenberg's Chordal Experime…Harmony and Voice Leading in the Music of Stravinsky (2014)Harmony and Voice Leading in …An Aspect of Functional Harmony in Schoenberg's Early Post‐Tonal Music (2013)An Aspect of Functional Harmo…Prolongation in the Choral Music of Benjamin Britten (2010)Prolongation in the Choral Mu…Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts (2008)Analyzing Atonal Music: Pitch…Prolongation of Harmonies Related to the Harmonic Series in Early Post-Tonal Music (2002)Prolongation of Harmonies Rel…Concepts of Harmony and Prolongation in Schoenberg's Op. 19/2 (1999)Concepts of Harmony and Prolo…Spatial and Psychoacoustic Factors in Atonal Prolongation (1997)Spatial and Psychoacoustic Fa…In Schoenberg's Workshop: Aggregates and Referential Collections in "Die glückliche Hand" (1996)In Schoenberg's Workshop: Agg…Schoenberg on Ornamentation and Structural Levels (1994)Schoenberg on Ornamentation a…Syncopation as Motive in Schoenberg's Op. 19, Nos 2, 3 and 4 (1992)Syncopation as Motive in Scho…Prolongation in the Final Movement of Bartók's String Quartet No. 4 (1991)Prolongation in the Final Mov…Atonality, Analysis, and the Intentional Fallacy (1996)The Cambridge History of American Music (1998)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Cognitive constraints on compositional systems (1992)From lyric to anti-lyric: analyzing the words in pop song (2003)Schoenberg's Musical Imagination (2007)Voice-Leading Spaces (1998)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Relating Musical Contours: Extensions of a Theory for Contour (1987)The Geometry of Musical Rhythm (2016)Dualist tonal space and transformation in nineteenth-century musical thought (2002)Hugo Riemann and the birth of modern musical thought (2004)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)‘Creative collaboration’: an ‘eminence’ study of teaching and learning in music composition (2006)Musical Witness and Holocaust Representation (2015)Fuzzy Extensions to the Theory of Contour (1997)Music theory and mathematics (2002)Music and cognitive evolution (2012)An Overview of Hierarchical Structure in Music (1983)Cadential processes: The evaded cadence and the “one more time” technique (1992)Q-analysis, or a language of structure: an introduction for social scientists, geographers and planners (1980)(Ac)cumulative Form in Pop-Rock Music (2004)The Geometry of Musical Rhythm (2005)
this work references cited by second hop

References

  • 1973The Structure of Atonal Music501 cited
  • 1963Perspectives of New Music381 cited
  • 1973Explaining Music308 cited
  • 1974The Structure of Atonal Music297 cited
  • 1978Theory of Harmony208 cited
  • 1954Structural functions of harmony195 cited
  • 1987The Problem of Prolongation in Post-Tonal Music162 cited
  • 1974The Structure of Atonal Music161 cited
  • 1980Basic atonal theory160 cited
  • 1989Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg142 cited
  • 1969Structural Functions of Harmony118 cited

Cited by

  • 1992Syncopation as Motive in Schoenberg's Op. 19, Nos 2, 3 and 437 cited
  • 1994Schoenberg on Ornamentation and Structural Levels35 cited
  • 2017Inventing Tradition: Webern's Piano Variations in Early Recordings30 cited
  • 2019Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function25 cited
  • 2002Prolongation of Harmonies Related to the Harmonic Series in Early Post-Tonal Music24 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2008Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts22 cited
  • 2014Harmony and Voice Leading in the Music of Stravinsky22 cited
  • 1999Concepts of Harmony and Prolongation in Schoenberg's Op. 19/221 cited
  • 2019Schoenberg's Atonal Music17 cited
  • 2015Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching16 cited
  • 1997Spatial and Psychoacoustic Factors in Atonal Prolongation13 cited
  • 2016Time‐Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance‐Sensitive Approach to Morphosyntactic Musical Analysis12 cited
  • 2010Prolongation in the Choral Music of Benjamin Britten11 cited
  • 2013An Aspect of Functional Harmony in Schoenberg's Early Post‐Tonal Music8 cited
  • 1991Prolongation in the Final Movement of Bartók's String Quartet No. 48 cited
  • 1996In Schoenberg's Workshop: Aggregates and Referential Collections in "Die glückliche Hand"7 cited