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Regimes of the Visual in Premodern England: Gaze, Body, and Chaucer's Clerk's Tale
16 references·11 citing·31 second hop
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this work references cited by second hop

References

  • 1980Power/Knowledge: Selected Interviews and Other Writings 1972-197722,285 cited
  • 1978Discipline and Punish: The Birth of the Prison.19,201 cited
  • 19771.7 THIS SEX WHICH IS NOT ONE4,194 cited
  • 1990Epistemology of the Closet3,698 cited
  • 2018The Maturational Processes and the Facilitating Environment3,676 cited
  • 1976Toward an Anthropology of Women.2,883 cited
  • 1989Visual and Other Pleasures2,397 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 1987Technologies of Gender1,809 cited
  • 1986The Riverside Chaucer1,229 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 1990Fragmentation and Redemption: Essays on Gender and the Human Body in Medieval Religion900 cited
  • 1995Star gazing: Hollywood cinema and female spectatorship785 cited
  • 1998Sexuality in the Field of Vision759 cited
  • 1985Alice Doesn't: Feminism, Semiotics, Cinema673 cited
  • 1982Film and the Masquerade: Theorising the Female Spectator643 cited

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Cited by

  • 2000Naturalism and its Discontents in the Miller's Tale34 cited
  • 2020Griselda and the Problem of the Human inThe Clerk’s Tale12 cited
  • 2020The Pardoner and HisTale10 cited
  • 2020The Franklin’s SymptomaticSursanure9 cited
  • 2020The Wife of Bath’s PrologueandTale9 cited
  • 2020The Knight’s Taleand the Estrangements of Form9 cited
  • 2006Povre Griselda and the All-Consuming Archewyves9 cited
  • 2020The Cambridge Companion to The Canterbury Tales3 cited
  • 2006The Parson’s Predilection for Pleasure3 cited
  • 2009Reading Griselda's Smocks in the Clerk's Tale2 cited
  • 2020The Form of theCanterbury Tales2 cited