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The temporalities of intermediality: Colour in cinema and the arts of the 1920s
16 references·1 citing·32 second hop
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References

  • 1946The Creative Mind: An Introduction to Metaphysics831 cited
  • 1991D.W. Griffith and the origins of American narrative film: the early years at Biograph269 cited
  • 1985French Cinema: The First Wave, 1915-1929233 cited
  • 1984Before Mickey: The Animated Film 1898-1928208 cited
  • 1991Early cinema: space, frame, narrative202 cited
  • 2000Restoration of Motion Picture Film178 cited
  • 1997Edison motion pictures, 1890-1900 : an annotated filmography124 cited
  • 1993Before Mickey123 cited
  • 2005A medium is always born twice …1113 cited
  • 2007Synthetic worlds: nature, art and the chemical industry97 cited
  • 2003Reframing British Cinema, 1918-1928: Between Restraint and Passion71 cited
  • 2012Colour Films in Britain: The Negotiation of Innovation 1900-195553 cited
  • 2007Film Architecture and the Transnational Imagination52 cited
  • 2008The Decline of Sentiment37 cited
  • 2009‘Harmonious sensations of sound by means of colors’: vernacular colour abstractions in silent cinema25 cited
  • 2007Film Architecture and the Transnational Imagination : Set Design in 1930s European Cinema

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  • 2015Imagination and Natural Movement: The Bray Studios and the “Invention” of Animated Film7 cited