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Historical evolution of oil painting media: A rheological study
6 references·13 citing·42 second hop
Historical evolution of oil painting media: A rheological study (2009)Historical evolution of oil painting medi…Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums (2006)Kinetics of oil saponificatio…The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 with Reference to Selected Eighteenth-Century Sources (2002)The Artist's Assistant, Oil P…:Durer to Veronese: Sixteenth-Century Painting in The National Gallery (2001):Durer to Veronese: Sixteenth…Molecular studies of fresh and aged triterpenoid varnishes (1999)Molecular studies of fresh an…Original treatises on the arts of painting (1967)Original treatises on the art…Methods and materials of painting of the great schools and masters (1960)Methods and materials of pain…Art, Rock Art or Not Art (2025)Art, Rock Art or Not ArtOn the way to tempera grassa: Unraveling the properties of emulsion-based paint binders (2023)On the way to tempera grassa:…Microscale mechanochemical characterization of drying oil films by in situ correlative Brillouin and Raman spectroscopy (2022)Microscale mechanochemical ch…After the paint has dried: a review of testing techniques for studying the mechanical properties of artists’ paint (2021)After the paint has dried: a …Craquelures and pictorial matter (2020)Craquelures and pictorial mat…The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises (2019)The use of glass particles an…Re-interpretation of the Old Masters' practices through optical and rheological investigation: The presence of calcite (2018)Re-interpretation of the Old …Materials science challenges in paintings (2018)Materials science challenges …Reconstructing historical recipes of linseed oil/colophony varnishes: Influence of preparation processes on application properties (2017)Reconstructing historical rec…A 19th Century “Ideal” Oil Paint Medium: A Complex Hybrid Organic–Inorganic Gel (2017)A 19th Century “Ideal” Oil Pa…Rheology of white paints: How Van Gogh achieved his famous impasto (2014)Rheology of white paints: How…Revealing the sfumato Technique of Leonardo da Vinci by X‐Ray Fluorescence Spectroscopy (2010)Revealing the sfumato Techniq…New approaches for investigating paintings by ion beam techniques (2010)New approaches for investigat…Ancient Egyptian Materials and Industries (1948)Making make-up in Ancient Egypt (1999)Micro-analytical study of interactions between oil and lead compounds in paintings (2007)Metal Stearate Distributions in Modern Artists' Oil Paints: Surface and Cross-Sectional Investigation of Reference Paint Films Using Conventional and Synchrotron Infrared Microspectroscopy (2012)Zinc white: a review of zinc oxide pigment properties and implications for stability in oil-based paintings (2012)Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (2019)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Ion beam analysis of art works: 14 years of use in the Louvre (2004)External-PIXE analysis for the study of pigments from a painting from the Museum of Contemporary Art (2014)Thermal analysis of carbonate pigments and linseed oil to optimize CO2 extraction for radiocarbon dating of lead white paintings (2020)Unexpected presence of 14C in inorganic pigment for an absolute dating of paintings (2020)Painting Materials : a Short Encyclopedia (1943)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Painting Materials: A Short Encyclopedia (2011)A holistic view on the role of egg yolk in Old Masters’ oil paints (2023)The invention of blue and purple pigments in ancient times (2006)The Invention of Blue and Purple Pigments in Ancient Times (2007)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Artificial Intelligence for Pigment Classification Task in the Short-Wave Infrared Range (2021)Bayeux Tapestry: First use of early synthetic dyes for the restoration of a masterpiece (2022)Noninvasive Characterization and Quantification of Anthraquinones in Dyed Woolen Threads by Visible Diffuse Reflectance Spectroscopy (2022)Art in Transit: Studies in the Transport of Paintings (1990)The Description of Craquelure Patterns (1997)Long-Term Chemical and Physical Processes in Oil Paint Films (2005)Jin Shofu Starch Nanoparticles for the Consolidation of Modern Paintings (2021)Surface appearance and morphology changes of Asian lacquer due to artificial aging: Impacts of traditional additives (2023)Development of craquelure patterns in paintings on panels (2024)A review of solvent action on oil paint (2020)Shrinkage and mechanical properties of drying oil paints (2022)Molecular Simulation Strategies for Understanding the Degradation Mechanisms of Acrylic Polymers (2023)Poly(Vinyl Acetate) Paints: A Literature Review of Material Properties, Ageing Characteristics, and Conservation Challenges (2023)Identification of Proteins in Renaissance Paintings by Proteomics (2006)The detection of copper resinate pigment in works of art: contribution from Raman spectroscopy (2014)Ageing of resin from Pinus species assessed by infrared spectroscopy (2016)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)Metal Soaps in Art (2019)Identification of binding media in works of art by gas chromatography?mass spectrometry (2004)The Blackening of Paint Containing Egyptian Blue (2004)Gas chromatography/mass spectrometry characterization of historical varnishes of ancient Italian lutes and violin (2006)The Influence of Varnishes on the Appearance of Paintings (1987)The Cambridge History of the Book in Britain (2008)Hyperspectral imaging, spectrofluorimetry, FORS and XRF for the non-invasive study of 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this work references cited by second hop

References

  • 1967Original treatises on the arts of painting115 cited
  • 2006Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums101 cited
  • 2002The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 with Reference to Selected Eighteenth-Century Sources91 cited
  • 1999Molecular studies of fresh and aged triterpenoid varnishes75 cited
  • 1960Methods and materials of painting of the great schools and masters53 cited
  • 2001:Durer to Veronese: Sixteenth-Century Painting in The National Gallery13 cited

Cited by

  • 2021After the paint has dried: a review of testing techniques for studying the mechanical properties of artists’ paint44 cited
  • 2010New approaches for investigating paintings by ion beam techniques30 cited
  • 2018Materials science challenges in paintings28 cited
  • 2014Rheology of white paints: How Van Gogh achieved his famous impasto25 cited
  • 2020Craquelures and pictorial matter25 cited
  • 2017A 19th Century “Ideal” Oil Paint Medium: A Complex Hybrid Organic–Inorganic Gel25 cited
  • 2018Re-interpretation of the Old Masters' practices through optical and rheological investigation: The presence of calcite23 cited
  • 2010Revealing the sfumato Technique of Leonardo da Vinci by X‐Ray Fluorescence Spectroscopy

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16 cited
  • 2017Reconstructing historical recipes of linseed oil/colophony varnishes: Influence of preparation processes on application properties15 cited
  • 2019The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises12 cited
  • 2022Microscale mechanochemical characterization of drying oil films by in situ correlative Brillouin and Raman spectroscopy12 cited
  • 2023On the way to tempera grassa: Unraveling the properties of emulsion-based paint binders10 cited
  • 2025Art, Rock Art or Not Art0 cited