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Cited by

• 2003Music as Embodied Mathematics: A Study of a Mutually Informing Affinity118 cited
• 2004Continuous Transformations53 cited
• 2002Chromatic Transformations in Nineteenth-Century Music51 cited
• 2012Tonality and transformation47 cited
• 1997Stravinsky's "Special Sense": The Rhetorical Use of Tonality in "The Rake's Progress"36 cited
• 2013The Viennese symphony 1750 to 182735 cited
• 2010Beats that Commute: Algebraic and Kinesthetic Models for Math-Rock Grooves32 cited
• 2009Categorical gestures, the diamond conjecture, Lewin's question, and the Hammerklavier Sonata28 cited
• 2020Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities26 cited
• 2015Applications of DFT to the Theory of Twentieth-Century Harmony26 cited
• 2013The Cambridge Companion to the Symphony22 cited
• 2010Well-formedness in two dimensions: a generalization of Carey and Clampitt's theorem15 cited
• 2013Tonal prisms: iterated quantization in chromatic tonality and Ravel's ‘Ondine’14 cited
• 2020Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert12 cited
• 2014