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The Oxford Handbook of The American Musical
16 references·16 citing·28 second hopsampled
The Oxford Handbook of The American Musical (2011)The Oxford Handbook of The American Music…Conventional Wisdom: The Content of Musical Form (2000)Conventional Wisdom: The Cont…Place for Us: Essay on the Broadway Musical (1998)Place for Us: Essay on the Br…Text and act: essays on music and performance (1996)Text and act: essays on music…Love and theft: blackface minstrelsy and the American working class (1994)Love and theft: blackface min…American Musical Theatre: A Chronicle (1994)American Musical Theatre: A C…The queen's throat: opera, homosexuality, and the mystery of desire (1993)The queen's throat: opera, ho…The imaginary museum of musical works: an essay in the philosophy of music (1993)The imaginary museum of music…The Broadway Musical: A Critical and Musical Survey (1992)The Broadway Musical: A Criti…Critical terms for literary study (1989)Critical terms for literary s…The Recording Angel: Music, Records and Culture from Aristotle to Zappa (1988)The Recording Angel: Music, R…THE REVIVAL OF NARRATIVE: REFLECTIONS ON A NEW OLD HISTORY (1979)THE REVIVAL OF NARRATIVE: REF…The Act of Reading: A Theory of Aesthetic Response (1979)The Act of Reading: A Theory …Blacking Up: The Minstrel show in Nineteenth-Century America (1975)Blacking Up: The Minstrel sho…Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Metahistory: The Historical I…Against Interpretation and Other Essays (1966)Against Interpretation and Ot…The Whig interpretation of history (1931)The Whig interpretation of hi…A chronotopic approach to identity performance in musical numbers: a choreo-musical case study of ‘Rewrite the Stars’ and ‘This Is Me’ (2021)A chronotopic approach to ide…Broadway in Blue: Gershwin’s Musical Theater Scores and Songs (2019)Broadway in Blue: Gershwin’s …Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Making Light Haydn, Musical C…Feeling Yellow: Responding to Contemporary Yellowface in Musical Performance (2018)Feeling Yellow: Responding to…The Cambridge Companion to the Musical (2017)The Cambridge Companion to th…Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical (2017)Rethinking the Diegetic/Nondi…Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)Recycled culture: the signifi…American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…“You Can’t Stop the Tweet”: Social Media and Networks of Participation in the Live Television Musical (2017)“You Can’t Stop the Tweet”: S…The Cambridge Companion to Film Music (2016)The Cambridge Companion to Fi…Materializing Film Music (2016)Materializing Film MusicRedefining America, Arena Stage, and Territory Folks in a Multiracial Oklahoma! (2015)Redefining America, Arena Sta…Trends in Musical Theatre Voice: An Analysis of Audition Requirements for Singers (2014)Trends in Musical Theatre Voi…Trafficking in Transnational Brands: The New “Broadway-Style” Musical (2014)Trafficking in Transnational …“You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song (2012)“You’ve got that thing”: Cole…The Cambridge Companion to the Musical (2001)The Cambridge Companion to th…Henry James and Queer Modernity (2003)Language and Sexuality (2003)Phonation type as a stylistic variable: The use of falsetto in constructing a persona1 (2007)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)The Institutional Dynamics of International Political Orders (1998)The Handbook of Journalism Studies (2009)The Place of Story in the Study of Teaching and Teacher Education (1993)Poststructural feminism in education: An overview (2000)The Corporeal Politics of Quality (Suzhi) (2004)Postmodernism and the Social Sciences (1992)Changing Highbrow Taste: From Snob to Omnivore (1996)21 FROM A POETICS OF POSTMODERNISM (2002)Stories of Experience and Narrative Inquiry (1990)Narrative configuration in qualitative analysis (1995)Closing Down the Conversation: The End of the Quantitative-Qualitative Debate Among Educational Inquirers (1986)Knowledge in Transit (2004)Research Strategies for Organizational History: A Dialogue Between Historical Theory and Organization Theory (2013)It Ain't where you're from, it's where you're At... (1991)Representing Whiteness in the Black Imagination (1997)You Must Be Joking: The Sociological Critique of Humour and Comic Media (2008)Grounded Theory in Management Research (2003)The Cambridge Introduction to Narrative (2008)Form (2002)The End of Early Music (2007)I Did It My Way: Rock and the Logic of Covers (2010)Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot (1997)Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction is About You EVE KOSOFSKY SEDGWICK (1997)Signs of Difference (2019)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1974Metahistory: The Historical Imagination in Nineteenth-Century Europe2,334 cited
  • 1966Against Interpretation and Other Essays1,928 cited
  • 1979The Act of Reading: A Theory of Aesthetic Response1,867 cited
  • 1989Critical terms for literary study1,249 cited
  • 1931The Whig interpretation of history1,238 cited
  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 1993The imaginary museum of musical works: an essay in the philosophy of music598 cited
  • 1979THE REVIVAL OF NARRATIVE: REFLECTIONS ON A NEW OLD HISTORY581 cited
  • 1994Love and theft: blackface minstrelsy and the American working class474 cited
  • 1975Blacking Up: The Minstrel show in Nineteenth-Century America428 cited
  • 1996Text and act: essays on music and performance331 cited
  • 1998Place for Us: Essay on the Broadway Musical300 cited
  • 1988The Recording Angel: Music, Records and Culture from Aristotle to Zappa286 cited
  • 1994American Musical Theatre: A Chronicle273 cited
  • 2000Conventional Wisdom: The Content of Musical Form250 cited
  • 1992The Broadway Musical: A Critical and Musical Survey

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236 cited

Cited by

  • 2016The Cambridge Companion to Film Music43 cited
  • 2017Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical38 cited
  • 2018Feeling Yellow: Responding to Contemporary Yellowface in Musical Performance34 cited
  • 2014Trends in Musical Theatre Voice: An Analysis of Audition Requirements for Singers33 cited
  • 2017“You Can’t Stop the Tweet”: Social Media and Networks of Participation in the Live Television Musical32 cited
  • 2001The Cambridge Companion to the Musical32 cited
  • 2014Trafficking in Transnational Brands: The New “Broadway-Style” Musical30 cited
  • 2018Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism27 cited
  • 2016Materializing Film Music26 cited
  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2019Broadway in Blue: Gershwin’s Musical Theater Scores and Songs17 cited
  • 2012“You’ve got that thing”: Cole Porter, Stephen Sondheim, and the Erotics of the List Song15 cited
  • 2017Recycled culture: the significance of intertextuality in twenty-first century musical theatre15 cited
  • 2015Redefining America, Arena Stage, and Territory Folks in a Multiracial Oklahoma!9 cited
  • 2021A chronotopic approach to identity performance in musical numbers: a choreo-musical case study of ‘Rewrite the Stars’ and ‘This Is Me’9 cited
  • 2017The Cambridge Companion to the Musical8 cited